Loretta Lynn – Coal Miner’s Daughter (Vinyle marbré bleu)
Prix habituel
€69,00
Les vinyles / CD dit "Rarissime" ne peuvent pas être échangés car ce sont des exemplaires uniques d'éditions épuisées.
En cas d'endommagement, les vinyles / CD Rarissimes sont remboursés - après retour - mais ne peuvent être échangés contre un autre exemplaire.
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RARITY - SEALED
Loretta Lynn – lead vocals
The Jordanaires – background vocals
Harold Bradley – bass guitar, electric bass guitar
Ray Edenton – guitar, acoustic guitar
Buddy Harman – drums
Junior Huskey – bass
Grady Martin – guitar, lead electric guitar
Bob Moore – bass
Hargus Robbins – piano
Hal Rugg – steel guitar, Dobro
Jerry Stembridge – acoustic guitar
Bobby Thompson – banjo
Pete Wade – guitar
1LP, standard sleeve
Original analog Master tape : YES
Record color : blue marbled
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : GZ Media
Label : Vinyl Me Please - Essentials Series
Original Label : Decca
Recorded May 28, 1969–August 19, 1970 at Bradley's Barn, Mount Juliet, Tennessee
Engineered by Jim Williamson
Produced by Owen Bradley
Remastered by Ryan Smith at Sterling Sound
Liner notes by Doyle Wilburn
Originally released in 1970
Reissued in 2019
Tracks:
Side A:
- Coal Miner’s Daughter
- Hello Darlin’
- Less Of Me
- Any One, Any Worse, Any Where
- For The Good Times
- The Man Of The House
Side B:
- What Makes Me Tick
- Another Man Loved Me Last Night
- It’ll Be Open Season On You
- Too Far
- Snowbird
Awards:
Rolling Stone’s list of the "100 Greatest Country Songs of All Time" - Ranked No. 42
Rolling Stone’s list of the "Top 500 Greatest Songs of All Time" - Ranked No. 255
Reviews :
« It's easy to write off There's a Riot Goin' On as one of two things -- Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize. What's certain is that Riot is unlike any of Sly & the Family Stone's other albums, stripped of the effervescence that flowed through even such politically aware records as Stand! This is idealism soured, as hope is slowly replaced by cynicism, joy by skepticism, enthusiasm by weariness, sex by pornography, thrills by narcotics. Joy isn't entirely gone -- it creeps through the cracks every once and awhile and, more disturbing, Sly revels in his stoned decadence. What makes Riot so remarkable is that it's hard not to get drawn in with him, as you're seduced by the narcotic grooves, seductive vocals slurs, leering electric pianos, and crawling guitars. As the themes surface, it's hard not to nod in agreement, but it's a junkie nod, induced by the comforting coma of the music. And damn if this music isn't funk at its deepest and most impenetrable -- this is dense music, nearly impenetrable, but not from its deep grooves, but its utter weariness. Sly's songwriting remains remarkably sharp, but only when he wants to write -- the foreboding opener "Luv N' Haight," the scarily resigned "Family Affair," the cracked cynical blues "Time," and "(You Caught Me) Smilin'." Ultimately, the music is the message, and while it's dark music, it's not alienating -- it's seductive despair, and that's the scariest thing about it. » AllMusic review by Stephen Thomas Erlewine
Ratings :
AllMusic : 5 / 5 ; Discogs : 4.43 / 5