My Morning Jacket Z  (Hybrid SACD, Limited Edition) - Audiophile

My Morning Jacket - Z (Hybrid SACD)

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My Morning Jacket:

  • Tom Blankenship – bass guitar
  • Carl Broemel – guitar, saxophone on "Dondante"
  • Patrick Hallahan – drums
  • Jim James – vocals, lead and rhythm guitars, and production
  • Bo Koster – keyboards

Acoustic Guitar, Choir : Mr. M. Ward (6)

Strings, Whistle – Andrew Bird (2, 3, 6)

Guitar [Pedal Steel] : Carl Broemel

Written by James, Hallahan, Two Tone

 

 

1 Hybrid SACD

Limited to 2,500 copies

Original analog Master tape : YES

Stereo

Studio

Label : MOFI

Original Label : ATO Records

Recorded at Allaire Studios, Shokan, New York

Produced & Mixed by Jim James (Cap'n Goodies), John Leckie

Photography by Danny Clinch

Originally released in October 2005

Reissued in January 2026

 

 

Tracks:

  1. Wordless Chorus
  2. It Beats 4 U
  3. Gideon
  4. What a Wonderful Man
  5. Off the Record
  6. Into the Woods
  7. Anytime
  8. Laylow
  9. Knot Comes Loose
  10. Dondante
  11. Where to Begin

 

Awards:

Rolling Stone The 500 Greatest Albums of All Time – Ranked 457

 

 

 

Reviews :

« In 2004, a dreamy cover of "Rocket Man" concluded My Morning Jacket's first volume of rarities. Which was prescient, because it's Elton John that Jim James' songs for 2005's Z first bring to mind. From the wistful recollection of "Goodbye Yellow Brick Road" to Honky Chateau's melodic and genre explorations, John's ability to mesh styles and take detours within his sturdy pop songwriting applies to James here, particularly in the expansive opener, "Wordless Chorus," or the initial happy-go-lucky lilt of "Off the Record." Z is My Morning Jacket's fourth full-length (and second for ATO), and it's the one that might finally jump-start the reaction that James' music has always deserved. It Still Moves from 2003 rightly enjoyed its accolades, but it meandered a little structurally, too, and sometimes got a little lost in its own reverb. On Z, MMJ's traditional influences are present -- the folk, blues, and country tones of John, Neil Young, and the Band shaded by contemporaries like Mercury Rev and Mark Kozelek. But songs like "Lay Low" and "It Beats for You" are crafted tighter, their sound-drenched keyboard lines meeting the percussion head on and riding meaningful flourishes of electric guitar. "Gideon" climaxes in James calling out throatily over twinkling piano and big chords borrowed from the Who, and "What a Wonderful Man" is a raucous, crashing tumble of unhinged crash cymbals, barroom piano, and mirthful yelping. Z is intuitive, intensely creative, classicist-minded, nearly flawless. It's music that's extruded from Jim James' id, and that's bearded, too. » AllMusic Review by Johnny Loftus

 

 

Ratings :

AllMusic : 4,5 / 5 ; Discogs : 4.35 / 5

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