Ornette Coleman – Change Of The Century (Rhino) - RARITY - Audiophile
Ornette Coleman – Change Of The Century (Rhino) - RARITY - Audiophile
Ornette Coleman – Change Of The Century (Rhino) - RARITY - Audiophile
Ornette Coleman – Change Of The Century (Rhino) - RARITY - Audiophile

Ornette Coleman – Change Of The Century

€39,00
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RARITY - SEALED

Alto Saxophone - Ornette Coleman [click here to see more vinyl featuring Ornette Coleman]

Drums – Billy Higgins

Trumpet – Don Cherry

Bass – Charlie Haden

Written by Ornette Coleman

 



1 LP, standard sleeve

Limited Edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : RTI

Label : Rhino

Original Label :  Atlantic

Recorded on October 8–9, 1959

Engineered by Bones Howe

Produced by Nesuhi Ertegun

Liner Notes by Gary Kramer

Photography by  Lee Friedlander

Originally Released in 1960

Reissued in 




Tracks :

Side A

  1. Ramblin'
  2. Free
  3. The Face Of The Bass

Side B

  1. Forerunner
  2. Bird Food
  3. Una Muy Bonita
  4. Change Of The Century

 

 

Reviews :

« The second album by Ornette Coleman's legendary quartet featuring Don Cherry, Charlie Haden, and Billy Higgins, Change of the Century is every bit the equal of the monumental The Shape of Jazz to Come, showcasing a group that was growing ever more confident in its revolutionary approach and the chemistry in the bandmembers' interplay. When Coleman concentrates on melody, his main themes are catchier, and when the pieces emphasize group interaction, the improvisation is freer. Two of Coleman's most memorable classic compositions are here in their original forms -- "Ramblin'" has all the swing and swagger of the blues, and "Una Muy Bonita" is oddly disjointed, its theme stopping and starting in totally unexpected places; both secure their themes to stable, pedal-point bass figures. The more outside group improv pieces are frequently just as fascinating; "Free," for example, features a double-tongued line that races up and down in free time before giving way to the ensemble's totally spontaneous inventions. The title cut is a frantic, way-out mélange of cascading lines that nearly trip over themselves, brief stabs of notes in the lead voices, and jarringly angular intervals -- it must have infuriated purists who couldn't even stomach Coleman's catchiest tunes. Coleman was frequently disparaged for not displaying the same mastery of instrumental technique and harmonic vocabulary as his predecessors, but his aesthetic prized feeling and expression above all that anyway. Maybe that's why Change of the Century bursts with such tremendous urgency and exuberance -- Coleman was hitting his stride and finally letting out all the ideas and emotions that had previously been constrained by tradition. That vitality makes it an absolutely essential purchase and, like The Shape of Jazz to Come, some of the most brilliant work of Coleman's career. » AllMusic Review by Steve Huey

 


Ratings : 

Allmusic : 5 / 5 ; Discogs : 4.71 / 5

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