OutKast – Stankonia - Audiosoundmusic - Audiophile
OutKast – Stankonia - Audiophile - Audiosoundmusic
OutKast – Stankonia - Audiosoundmusic - Audiophile
OutKast – Stankonia - Audiosoundmusic - Audiophile
OutKast – Stankonia - Audiophile - Audiosoundmusic
OutKast – Stankonia - Audiosoundmusic - Audiophile

OutKast – Stankonia (2LP, Vinyle gris marbré)

€139,00
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RARITY - SEALED 

Vocals: André 3000 (A2, A4-5, B1, B3-5, C2, C4-5, D1-3, D5), Big Boi (A2, A4-6, B1, B3-5, C1-2, C5, D1-3), Khujo Goodie (A2), J-Sweet (A6), Killer Mike (A6), Eco (B3), Gangsta Boo (B3), B-Real (B5), BackBone (C1), Big Gipp (C1), C-Bone (D1), Slimm Calhoun (D1), T-Mo Goodie (D1), Cee-Lo (D3), Big Rube (D5), Sleepy Brown (D5), Rosalin Heard (D2), Sleepy Brown (D2)

Backing Vocals: André 3000 (A2, A5, B3-4, C2, C5, D3, D5), Big Boi (A6, C5, D1), Rico Wade (A4), Sleepy Brown (A4, B1, D2), Myrna "Skreechy Peach" Crenshaw (B1, D5), Morris Brown College Gospel Choir (B4), Debra Killings (B5), Dungeon Rats (B5), EJ The Witchdoctor (B5), Troncoso (C1), Erykah Badu (C2), Billie O (D1), Bobby B. (D1), C-Bone (D1), J-Sweet (D1), Cee-Lo (D3), Joi "Freeta Love" Gilliam-Gipp (D5)

Bass: Preston Crump (A2, A4, B5, C2, D1, D2), Aaron Mills (A5), E.X. Vortex (A3, A7, B2, B6, C3, C6, D4), Louis Satterfield (A1), "Dookie" Blossumgame III (D3), Robert Grister (D5), Sleepy Brown (C1)

Moog Bass: Sleepy Brown (C1)

Synth Bass: Preston Crump (D2)

Drums: Victor Alexander (A2), E.X. Vortex (A3, A7, B2, B6, C3, C6, D4), Rajinder Kala (A1)

Guitar: David "Whild" Brown (A2), E.X. Vortex (A3, A7, B2, B6, C3, C6, D4), André 3000 (A5, C5), Donny Mathis (B4, D1, D3, D5), Louis Satterfield (A1)

Synth Guitar: André 3000 (D2)

Backwards Guitar: Donny Mathis (D3)

Guitar Solo: David Whild (B4)

Keyboards: Earthtone III (A5-6, B3-4, C2, C4-5, D2, D3, D5), Marvin "Chanz" Parkman (A5, B5, C2, C4, D3, D5), Kenneth Wright (B4), Matt Still (B4)

Piano: Marvin "Chanz" Parkman (A5, C4)

Electric Piano [Fender Rhodes]: Sleepy Brown (A4)

Harmonium: Chaterpal Kala (A1)

Tabla: Rajinder Kala (A1)

Congas [Backward Congas]: Rajinder Kala (A5)

Horns: Jason Freeman (A3, A7, B2, B6, C3, C6, D4), Jerry Freeman (A3, A7, B2, B6, C3, C6, D4), Kebbi Williams (A3, A7, B2, B6, C3, C6, D4), Richard Owens (A3, A7, B2, B6, C3, C6, D4)

Written by André Benjamin (A2, A4-6, B1, B3-5, C1-2, C4-5, D1-3, D5), Antwan Patton (A2, A4-6, B1, B3-5, C1-2, C4-5, D1-3, D5), David Sheats (A2, A5, A6, B3, B4, B5, C2, C4, C5, D1, D2, D3, D5), Willie Knighton (A2), Cory Andrews (A6, D1), John E.E. Smith (A6), Michael Render (A6), Organized Noize (A4, B1, C1), Lola Mitchell (B3), Rashida Roberts (B3), Erin Johnson (B5), Louis Freese (B5), Bolivar Troncoso (C1), Cameron Gipp (C1), Jamahr Williams (C1), Erica Wright (C2), Brian Loving (D1), Carlton Mahone (D1), Robert Barnett (D1), Thomas Burton (D3), Patrick Brown (D5), Ruben Bailey (D5)

 

 

 

2LPs, gatefold jacket 

Original analog Master tape : YES

Heavy Press : 180g

Record color : Gray Swirl

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : GZ Media

Label : Vinyl Me Please, Essentials Series

Original Label : LaFace Records

Recorded 1999–2000 at Stankonia Recording, Tree Sound Studios, Atlanta A&M Studios, Los Angeles

Produced by Earthtone III, Organized Noize, Carl Mo

Remastered by Ryan Smith at Absolute Audio

Plated at Quality Record Pressings

Lacquer cut  by Ryan Smith at Sterling Sound

Originally released in 2000

Reissued in 2020

 

 

Tracks:

Side A:

  1. Intro
  2. Gasoline Dreams
  3. I'm Cool (Interlude)
  4. So Fresh, So Clean
  5. Ms. Jackson
  6. Snappin' & Trappin'
  7. D.F. (Interlude)

Side B

  1. Spaghetti Junction
  2. Kim & Cookie (Interlude)
  3. I'll Call Before I Come
  4. B.O.B.
  5. Xplosion
  6. Good Hair (Interlude)

Side C

  1. We Luv Deez Hoez
  2. Humble Mumble
  3. Drinkin' Again (Interlude)
  4. ?
  5. Red Velvet
  6. Cruisin' In The ATL (Interlude)

Side D

  1. Gangsta Shit
  2. Toilet Tisha
  3. Slum Beautiful
  4. Pre-Nump (Interlude)
  5. Stankonia (Stanklove)

 

 

Awards: 

2002 Grammy Awards : Best Rap Album for Stankonia and Best Rap Performance by a Duo or Group for "Ms. Jackson"

Paste Magazine’s list of the greatest albums of all time - Ranked number 6

Time named Stankonia as one of the 100 best albums of all time

Rolling Stone’s list of the 100 Best Albums of the 2000s - Ranked number 16

Pitchfork’s list of the top 200 albums of the 2000s - ranked number 13

Rhapsody’s "100 Best Albums of the Decade" list - ranked at number 2

Included in the book 1001 Albums You Must Hear Before You Die.

 

 

Reviews :

« Stankonia was OutKast's second straight masterstroke, an album just as ambitious, just as all-over-the-map, and even hookier than its predecessor. With producers Organized Noize playing a diminished role, Stankonia reclaims the duo's futuristic bent. Earthtone III (Andre, Big Boi, Mr. DJ) helms most of the backing tracks, and while the live-performance approach is still present, there's more reliance on programmed percussion, otherworldly synthesizers, and surreal sound effects. Yet the results are surprisingly warm and soulful, a trippy sort of techno-psychedelic funk. Every repeat listen seems to uncover some new element in the mix, but most of the songs have such memorable hooks that it's easy to stay diverted. The immediate dividends include two of 2000's best singles: "B.O.B." is the fastest of several tracks built on jittery drum'n'bass rhythms, but Andre and Big Boi keep up with awe-inspiring effortlessness. "Ms. Jackson," meanwhile, is an anguished plea directed at the mother of the mother of an out-of-wedlock child, tinged with regret, bitterness, and affection. Its sensitivity and social awareness are echoed in varying proportions elsewhere, from the Public Enemy-style rant "Gasoline Dreams" to the heartbreaking suicide tale "Toilet Tisha." But the group also returns to its roots for some of the most testosterone-drenched material since their debut. Then again, OutKast doesn't take its posturing too seriously, which is why they can portray women holding their own, or make bizarre boasts about being "So Fresh, So Clean." Given the variety of moods, it helps that the album is broken up by brief, usually humorous interludes, which serve as a sort of reset button. It takes a few listens to pull everything together, but given the immense scope, it's striking how few weak tracks there are. It's no wonder Stankonia consolidated OutKast's status as critics' darlings, and began attracting broad new audiences: its across-the-board appeal and ambition overshadowed nearly every other pop album released in 2000. » AllMusic Review by Steve Huey

 

 

Ratings :

AllMusic : 5 / 5 ; Discogs : 4.66 / 5

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