<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>
<transcy>Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)</transcy>

Patricia Barber – The Cole Porter Mix (2LP, Ultra Analog, Half-speed Mastering)

€207,50
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Vocals, Piano, Melodica – Patricia Barber [click here to see more vinyl featuring Patricia Barber]

Acoustic Guitar, Electric Guitar – Neal Alger

Bass – Michael Arnopol (A1 to D1, D4)

Drums, Percussion – Eric Montzka (A2 to C3, D3), Nate Smith (A1, D1-2)

Tenor Saxophone – Chris Potter (A3, B2, B4, C3, D4)

Composed by Patricia Barber

 

2 LP, gatefold jacket

Limited numbered edition

Original analog Master tape : YES

Half-speed Mastered

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : unspecified

Label : MOFI

Original Label : Blue Note

Recorded on Dec 15, 16, 21, 22, 2007 at Chicago Recording Company

Mixed at Brooklyn Recording

Produced by Patricia Barber

Mastered by Paul Stubblebine at Mobile Fidelity Sound Lab

Originally released in 2008

Reissued in 2010

 

Tracks:

Side A:

  1. Easy To Love
  2. I Wait For Late Afternoon And You
  3. I Get A Kick Out Of You

Side B:

  1. You're The Top
  2. Just One Of Those Things
  3. Snow
  4. C'est Magnifique

Side C:

  1. Get Out Of Town
  2. I Concentrate On You
  3. In The Still Of The Night

Side D:

  1. What Is This Thing Called Love
  2. Miss Otis Regrets
  3. The New Year's Eve Song

                   

                  Reviews:

                  “Jazz songwriter and pianist Patricia Barber's 2006 album Mythologies, a song cycle based on Ovid's Metamorphosis, is a sprawling work of poetic and musical adventure. Upon its release, it garnered universal acclaim from critics and responsive concert audiences across the United States and Europe. After this rigorous undertaking, Barber could have been forgiven for taking a breather. And on its surface, that seems to be what the Cole Porter Mix is. But in Barber's case, this is far from true. While she claims in her bio that she's been singing his songs for years, and that he's her favorite songwriter, she does anything but a "standard" read on his tunes, though she never undermines their integrity. The album is called a "mix" because Barber has woven three of her own tunes -- written after the manner of Porter's -- into the fabric of the album. Given her austere yet highly original readings of his songs, they fit in seamlessly. She is accompanied here by her longtime backing group of Neal Alger (guitar), Michael Arnopol (bass), and Eric Montzka (drums), with drummer Nate Smith alternating on three tunes, and guest saxophonist Chris Potter appearing on five.” AllMusic Review by Thom Jurek

                   

                  Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.

                   

                  Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

                   

                  Ratings :

                  AllMusic : 4 / 5 ; Discogs : 4.65 / 5

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