Paul Simon - Graceland (CD, Edition japonaise)
Paul Simon – Vocals (2, 3, 5–7, 9, 11), Backing Vocals (1, 2, 4, 6, 9), Acoustic Guitar (1, 11), Synthesizer/Synclavier (3, 4) [click here to see more products featuring Paul Simon]
Accordion : Forere Motloheloa (1), Jonhjon Mkhalali (4), Alton Rubin Sr. / Dopsie (10), David Hidalgo (11)
Alto Saxophone : Alex Foster (5)
Backing Vocals : Diane Garisto (4), Michele Cobbs (4)
Baritone Saxophone : Ronald E. Cuber (6)
Bass : Baghiti Khumalo (1, 2, 5, 6, 7), Lloyd Lelose (9), Alonzo Johnson (10), Conrad Lozano (11)
Bass Saxophone : Ronald E. Cuber (6)
Drums : Vusi Khumalo (1, 2), Petrus Manile (4), Isaac Mtshali (5, 6, 7, 9), Alton Rubin Jr. (10), Louie Perez (11), Steve Gadd (11 – additional)
Engineer (Assistant) : Mark Cobrin (1–7, 9, 11), Peter Thwaites (1–4, 9), Steven Strassman (2, 7, 11), Andrew Fraser (8), Mark Miller (10)
Guitar : Paul Simon (5, 7), Chikapa “Ray” Phiri (2, 5–7, 9), Adrian Belew (7), Sherman Robertson (10), Cesar Rosas (11), David Hidalgo (11)
Guitar Synthesizer : Adrian Belew (1, 6, 9)
Lead Vocals : Joseph Shabalala (8)
Percussion : Makhaya Mahlangu (1, 2), Ralph McDonald (4, 6, 7, 11), Assane Thiam (5), Babacar Faye (5), Youssou N’Dour (5)
Pedal Steel Guitar : Demola Adepoju (2)
Saxophone : Barney Rachabane (4), Mike Makhalemele (4), Teaspoon Ndlela (4), Johnny Hoyt (10), Steve Berlin (11)
Soprano Saxophone : Morris Goldberg (9)
Synthesizer : Rob Mounsey (1, 6)
Tambourine : Lulu Masilela (4)
Tenor Saxophone : Leonard Pickett (5)
Tin Whistle : Morris Goldberg (6)
Trombone : David W. Bargeron (6), Kim Allan Cissel (6)
Trumpet : Earl Gardner (5), Alan Rubin (6), John Faddis (6), Lewis Michael Soloff (6), Ronald E. Brecker (6)
Vocals : The Everly Brothers (2), The Gaza Sisters (3), Ladysmith Black Mambazo (5), Linda Ronstadt (7), Cesar Rosas (11), David Hidalgo (11)
Washboard : David Rubin (10)
Written by Paul Simon (1–7, 9–11), except: Forere Motloheloa (1 – music), General M.D. Shirinda (3 – music), Jonhjon Mkhalali (4 – music), Lulu Masilela (4 – music), Joseph Shabalala (5 – beginning music, 8 – lyrics & music), Alton Rubin Sr. (10 – accordion contribution), David Hidalgo (11 – performance contribution)
1 CD, Standard sleeve with OBI
Made in Japan
Original analog Master tape : YES
Limited edition
Stereo
Studio
Label : Warner Records
Original Label : Warner Records
Recorded October 1985 – June 1986 at The Hit Factory, New York City, London, Los Angeles, Louisiana, South Africa
Engineered by Roy Halee
Produced by Paul Simon
Mastered by Greg Calbi
Remastered by Bill Inglot, Dan Hersch
Originally released in 1986
Reissued in 2006
Tracks:
1. The Boy In The Bubble
2. Graceland
3. I Know What I Know
4. Gumboots
5. Diamonds On The Soles Of Her Shoes
6. You Can Call Me Al
7. Under African Skies
8. Homeless
9. Crazy Love Vol II
10. That Was Your Mother
11. All Around The World Or The Myth Of Fingerprints
Bonus Tracks
12. Homeless (Demo)
13. Diamonds On The Soles Of Her Shoes (Unreleased Version)
14. All Around The World Or The Myth Of Fingerprints (Early Version)
Review :
« With Graceland, Paul Simon hit on the idea of combining his always perceptive songwriting with the little-heard mbaqanga music of South Africa, creating a fascinating hybrid that re-enchanted his old audience and earned him a new one. It is true that the South African angle (including its controversial aspect during the apartheid days) was a powerful marketing tool and that the catchy music succeeded in presenting listeners with that magical combination: something they'd never heard before that nevertheless sounded familiar. As eclectic as any record Simon had made, it also delved into zydeco and conjunto-flavored rock & roll while marking a surprising new lyrical approach (presaged on some songs on Hearts and Bones); for the most part, Simon abandoned a linear, narrative approach to his words, instead drawing highly poetic ("Diamonds on the Soles of Her Shoes"), abstract ("The Boy in the Bubble"), and satiric ("I Know What I Know") portraits of modern life, often charged by striking images and turns of phrase torn from the headlines or overheard in contemporary speech. An enormously successful record, Graceland became the standard against which subsequent musical experiments by major artists were measured. » AllMusic Review by William Ruhlmann
Ratings :
AllMusic : 5 / 5 , Discogs : 4,71 / 5