Stan Getz With Guest Artist Laurindo Almeida
Stan Getz With Guest Artist Laurindo Almeida
Stan Getz With Guest Artist Laurindo Almeida
Stan Getz With Guest Artist Laurindo Almeida

Stan Getz With Guest Artist Laurindo Almeida

€150,00
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RARITY Sealed

Stan Getz - tenor saxophone

Laurindo Almeida - guitar

George Duvivier - bass

Dave Bailey, Edison Machado, Jose Soorez - drums

Steve Kuhn - piano (A1, B3)

José Paulo, Luiz Parga - latin percussion (B3)

Written by Luiz Antonio (A1), Antoni Carlos Jobim (A2), Laurindo Almeida (A3, B1-3), Portia Nelson (A3), Jeanne Taylor (B1), Stan Getz (B3)

 

 

1 LP, Gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Pallas

Label : Speakers Corner

Original Label : Verve

Recorded March 21–22, 1963 at Webster Hall, New York City

Engineered by Val Valentin

Produced by Creed Taylor

Lacquer cut by Kevin Gray at AcousTech Mastering

Mastered at Record Technology Incorporated

Cover Art by Alberta Hutchinson-Akm

Design by Acy R. Lehman

Liner Notes by James T. Maher

Originally released in November 1966

Reissued in December 2007

 

 

Tracks:

Side A:

  1. Minica Moca (Young Lady)
  2. Once Again (Outra Vez)
  3. Winter Moon

Side B:

  1. Do What You Do, Do
  2. Samba Da Sahra (Sahra's Samba)
  3. Maracatu-Too


 

Reviews :

“Three weeks after completing his meeting with Luiz Bonfá and only two days after the epochal Getz/Gilberto sessions, Stan Getz was back in the studio recording more bossa nova. Producer Creed Taylor was obviously striking while the iron was hot, getting in as many Brazilian sessions as he could, yet the quality of the music-making remained consistently marvelous. Continuing his practice of running through one star guitarist after another, this time Getz has Laurindo Almeida as the designated rhythm man, featured composer, and solo foil. The rhythm section is an authentically swinging mixture of American sidemen (including Steve Kuhn on piano and George Duvivier on bass) and Brazilian percussionists. Almeida didn't like to improvise, so his solos stay close to the tunes, inflected with a perfectly matched feeling for the groove along with classical poise. Jobim's "Outra Vez" is a particularly lovely example of Getz's freedom and effortless lyricism contrasted against Almeida's anchored embroidering. Sessions like these might have been seen as cashing in on the boom at the time, yet in the long view, one should be thankful that these musicians were recording so much cherishable material.” AllMusic Review by Richard S. Ginell

 

Ratings :

AllMusic : 4.5 / 5 , Discogs : 4.32 / 5 

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