The Police – Synchronicity (CD, Edition japonaise)
Prix habituel
€95,00
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The police [click here to see more vinyl featuring The Police]:
- Sting – lead vocals, backing vocals, bass guitar, synthesisers, piano, electric upright bass, pan flute (2), oboe (10), sequencer (1, 2) [click here to see more vinyl featuring Sting],
- Andy Summers – guitar, guitar synthesiser, lead vocals (4)
- Stewart Copeland – drums, percussion
Arranged by The Police
Written by Sting (1 to 3, 6 to 11), Andy Summers (4, 11), Stewart Copeland (5)
1 CD, Paper Sleeve with OBI
30th Anniversary limited Edition
Original analog Master tape : YES
Stereo
Studio
Label : A&M Records
Original Label : A&M Records
Made In Japan
Recorded December 1982 – February 1983 at AIR Studio (Salem, Montserrat), Le Studio (Morin-Heights, Canada)
Engineered by Hugh Padgham
Produced by Hugh Padgham, The Police
Mastered by Bob Ludwig
Photography by Duane Michals
Art Direction and design by Jeff Ayeroff, Norman Moore
Originally released in 1983
Reissued in 2007
Tracks:
- Synchronicity I
- Walking In Your Footsteps
- O My God
- Mother
- Miss Gradenko
- Synchronicity II
- Every Breath You Take
- Of Pain
- Wrapped Around Your Finger
- Tea In The Sahara
- Murder By Numbers
Video : Every Breath You Take (Video Clip)
Awards :
1984 Grammy Award - Album of the Year
1984 Grammy Award - Best Rock Performance by a Duo or Group with Vocal
1984 Grammy Award - Best Engineered Recording, Non-Classical
Included in the book 1001 Albums You Must Hear Before You Die (2005)
No. 91 in the Virgin All Time Top 1000 Albums – Ranked n° 91
Rolling Stone's list of the 500 greatest albums of all time – Ranked 159
Reviews :
« Simultaneously more pop-oriented and experimental than either Ghost in the Machine or Zenyatta Mondatta, Synchronicity made the Police superstars, generating no less than five hit singles. With the exception of "Synchronicity II," which sounds disarmingly like a Billy Idol song, every one of those singles is a classic. "Every Breath You Take" has a seductive, rolling beat masking its maliciousness, "King of Pain" and "Wrapped Around Your Finger" are devilishly infectious new wave singles, and "Tea in the Sahara" is hypnotic in its measured, melancholy choruses. But, like so many other Police albums, these songs are surrounded by utterly inconsequential filler. This time, the group relies heavily on jazzy textures for Sting's songs, which only work on the jumping, marimba-driven "Synchronicity I." Then, as if to prove that the Police were still a band, there's one song apiece from Stewart Copeland and Andy Summers, both of which are awful, as if they're trying to sabotage the album. Since they arrive on the first side, which is devoid of singles, they do, making the album sound like two EPs: one filled with first-rate pop, and one an exercise in self-indulgence. While the hits are among Sting's best, they also illustrate that he was ready to leave the Police behind for a solo career, which is exactly what he did. » AllMusic Review by Stephen Thomas Erlewine
Ratings :
AllMusic : 4,5 / 5 ; Discogs : 4,76 / 5