Charlie Musselwhite - Look Out Highway  (Limited Edition Crystal Green Vinyl) - Audiophile

Charlie Musselwhite - Look Out Highway (140g, Crystal Green Vinyl)

€55,00
truck
Due to summer holdays, in-stock vinyl, CD and equipment will be shipped on September 2nd.
Please accept our apologies for the inconvenience
banner
WE CANNOT COMMIT ON A DELIVERY DATE FOR PRE-ORDER VINYL & CD/SACD
It may take a few months for Labels to issue pre-order vinyl & CD/SACD
worldwide-delivery
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union


 

ORDER LIMITED TO ONE ITEM PER CUSTOMER

Vocals, Harmonica, Guitar – Charlie Musselwhite

Bass – Randy Bermudes

Drums, Percussion – June Core

Guitar – Matt Stubbs*

Guitar, Piano, Organ, Recorded By – Chris "Kid" Andersen*


 

1 LP, Gatefold jacket 

Limited to 500 copies

Original analog Master tape : YES

Heavy Press : 140g

Record color : Crystal Green Vinyl

Speed : 33RPM

Size : 12'’

Stereo

Studio

Record Press : unspecified

Label : 40 Below

Original Label : 40 Below

Recorded at The Clarksdale Soundstage

Produced by Gary Vincent, Henri Musselwhite, Chris "KId" Andersen

Executive-Producer – Henri Musselwhite

Mastered by Mark Chalecki

Originally released in 2025

 

 

Tracks :

Side A

  1. Look Out Highway
  2. Sad Eyes
  3. Storm Warning
  4. Baby Won't You Please Help Me
  5. Hip Shakin' Mama
  6. Highway 61

Side B

  1. Ready For Times To Get Better
  2. Ramblin' Is My Game
  3. Blue Lounge
  4. Ghosts In Memphis
  5. Open Road


 

Reviews :

« Charlie Musselwhite released the acoustic Mississippi Son in 2022; it was a towering achievement in a career full of them. It took home a Blues Music Award for Best Acoustic Blues Album. In 2023, he and Dynatones released the rowdy, undernoted Curtain Call. That year Musselwhite also played the role of Alvin Reynolds in Martin Scorsese's epic Killers of the Flower Moon.

Musselwhite's Look Out Highway marks the very first time in his long career that he's used his touring band in the studio. He, guitarist Matt Stubbs, drummer June Core, bassist Randy Burmudes, and Kid Andersen on piano and Hammond B-3 recorded the set at Andersen's Greaseland Studio in San Jose, California as well as in Musselwhite's new home in Clarksdale, Mississippi. Andersen engineered the set and assisted co-producers Henrietta "Henri" Musselwhite -- Charlie's spouse, manager, and constant companion -- and Gary Vincent.

He composed the opening title track from an earworm gospel lick he'd been carrying around a while. His wailing harp meets dirty, distorted electric guitars, a clattering kick drum, and snare. His signature vocal is high, lonesome, and weary but still defiant. "Sad Eyes" is a snarling midtempo ballad. Next to a pumping piano and greasy, gritty electric guitar, Musselwhite rides a choogling blues-rock groove into an electric blues hypnosis session. His harp underscores the protagonist's amorous intentions with a killer, moaning solo. "Storm Warning" is pure juke-joint strut. The band sound like they're onstage as their exuberant boss grabs the reins and drives them hard. Other highlights include the raw, infectious shuffle of "Highway 61." Many of these songs are autobiographical and are woven into an iconic blues vocabulary that melds traditions from the Delta, Memphis, Chicago, and the West Coast. On "Baby Won’t You Please Help Me," he delivers the chorus, "I was born in Mississippi/I was raised in Tennessee/Seems like every place I've been/The blues keep trailing me…," in a revved-up shuffle with Stubbs' guitar swaggering atop Andersen's wooly piano. Singer/songwriter Edna Nicole Luckett performs a righteous duet with Musselwhite on the swaggering "Waitin' for Times to Get Better." The spine-slipping juke-joint instrumental "Blue Lounge" walks the line between the street and the lounge with narcotic slide guitars and a harmonica wail that moans like a midnight train whistle. Musselwhite growls about being haunted on "Ghosts of Memphis" with a guest spot from Memphis hip-hop star Al Kapone rapping across a snaky guitar-and-organ chug. Closer "Open Road" sees Andersen doubling on piano and guitar in a roadhouse shuffle buoyed by a bumping bass in a nearly laconic vocal and a harp solo that swings, swoops, and dives. Look Out Highway, like Mississippi Son before it, reveals the artist as a hungry creator, pushing the blues harder into the 21st century while retaining its traditions and repurposing them in new ways. Quite literally, at 81, Musselwhite has never sounded stronger or better. Let's hope he brings this band back into the studio -- and soon. » AllMusic Review by Thom Jurek

 

 

Rating:

Discogs : 4.5 / 5 ; AllMusic : 4 / 5

Recently viewed