Niccolo Paganini - Paganini for Two - Gil Shaham Gil & Göran Söllscher (Deutsche Grammophon) - Audiophile

Niccolo Paganini - Paganini for Two - Gil Shaham Gil & Göran Söllscher (DMM, Japanese Pressing)

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Composer - Niccolo Paganini

Guitar – Göran Söllscher

Violin – Gil Shaham


1LP, standard sleeve

Original analog Master tape : yes (Direct Metal Mastering)

Heavy Press : 180g 

Record color : Black

Speed : 33RPM

Size : 12'’

Stereo

Studio

Record Press : Toyokasei Co Ltd Japan

Label : Deutsche Grammophon

Original label : Deutsche Grammophon

Engineered by Hans-Peter Schweigmann

Produced by Christian Gansch

Audiophile direct metal mastering cut by Hans-Jorg Maucksch at Pauler Acoustics

Cover photography by Jim Rakete

Recorded in November 1992 at Berlin, Jesus-Christus-Kirche

Originally released in 1993

Reissued in 2025

 

 

Tracks :

Side A:

Sonata concertata M.S. 2 in A Major

  1. Allegro spiritoso
  2. Adagio, assai espressivo
  3. Rondeau. Allegretto con brio, scherzando

Sei sonata M.S. 27, Op. 3, No. 1 in A Major

  1. Larghetto
  2. Presto variato - Variazione

Sei sonata M.S. 27, Op. 3, No. 4, in A minor

  1. Andante largo
  2. Allegretto

Sei sonata M.S. 27, Op. 3, No. 6, in E minor

  1. Andante
  2. Allegro vivo e spiritoso - Minore

Grand Sonata M.S. 3 in A Major

  1. Romance. Piu tosto Largo, Amorosamente

Side B:

Centone di sonate - Lettera A, No. 2 in D Major

  1. Adagio cantabile
  2. Rondoncino. Andantino, Tempo di Polacca - Minore

Centone di sonate - Lettera A, No. 4 in A Major

  1. Adagio cantabile
  2. Rondo. Andantino, Allegretto - Minore - Maggiore

Cantabile M.S. 109 in D Major

  1. Cantabile M.S. 109 in D Major

Introduction and Variations on "Dal tuo stellato soglio" from Rossini's Mose M.S. 23

  1. Introduction. Adagio
  2. Theme. Tempo alla Marcia
  3. Variation I
  4. Variation II. Vigoroso
  5. Variation III
  6. Finale

Moto perpetuo M.S. Op. 11, in C Major

  1. Allegro vivace a movimento perpetuo

       

      Reviews:

      "A glance in Grove will reveal, if you didn't know it already, that Paganini wrote a great deal of guitar music both with and without the violin, bringing together the two instruments he played so well. Paganini played these works with the guitarist/violinist Luigi Legnani who, it is said, finally protested that he always had the easy guitar parts, whilst Paganini enjoyed the violinistic limelight. However, when Paganini produced his Grand Sonata and gave the violin part to Legnani the roles were doubly reversed; the violin plays such a minor role that it is usually omitted from performances; I can recollect only one other (now deleted) recording in which it appears! As a violinist was to hand he plays his part here, from which you may judge what is (not) lost when it is omitted. The guitar parts in the Six Sonatas, Op. 3 are of student level—Segovia refused many invitations to play them—and could benefit from revision, as those in Opp. 11 and 17, adapted from the original piano parts, firmly suggest. The Sonata concertata finds the two instruments on a more even playing field, with the guitar often leading the way. This is not the music of Paganini wearing his devil's cloak but I would have liked a little more emotional fire and bite than is present in these polished and expressive performances. They are nevertheless clearly recorded, well annotated, and welcome.” John Duarte, Gramophone

       

      Ratings:

      Discogs : 4.3 / 5

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