Cannonball Adderley - Somethin' Else (2LP, 45RPM, Box set, 1STEP, SuperVinyl)
Cannonball Adderley - Somethin' Else (2LP, 45RPM, Box set, 1STEP, SuperVinyl)
Cannonball Adderley - Somethin' Else (2LP, 45RPM, Box set, 1STEP, SuperVinyl)
Cannonball Adderley - Somethin' Else (2LP, 45RPM, Box set, 1STEP, SuperVinyl)

Cannonball Adderley - Somethin' Else (2LP, 45RPM, Box set, 1STEP, SuperVinyl)

€195,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Cannonball Adderley, alto sax [click here to see more vinyl featuring Cannonball Adderley]

Miles Davis, trumpet [click here to see more vinyl featuring Miles Davis]

Art Blakey, drums [click here to see more vinyl featuring Art Blakey]

Hank Jones, piano [click here to see more vinyl featuring Hank Jones]

Sam Jones, bass

Written by Joseph Kosma (A1), Johnny Mercer (A1), Jacques Prévert (A1), Cole Porter (B1), Miles Davis (C1), Nat Adderley (D1), Arthur Schwartz (D2), Howard Dietz (D2)

 

2 LPs, box set

Limited to 6,000 numbered copies

Original analog Master tape : YES

UltraDisc One-Step (UDS1)

Heavy Press : 180g SuperVinyl

Record color : black

Speed : 45 RPM

Size : 12'’

Stereo

Studio

Record Press : RTI

Label : MOFI

Original Label : Blue Note

Recorded March 9, 1958 at Van Gelder Studio, Hackensack, New Jersey

Recorded and engineered by Rudy Van Gelder

Produced by Alfred Lion

Originally released in 1958

To be reissued in 2022

 

Tracks:

Side A :

  1. Autumn Leaves

Side B :

  1. Love For Sale

Side C :

  1. Somethin’ Else

Side D :

  1. One For Daddy-O
  2. Dancing In The Dark

 

Reviews:

“Cannonball Adderley gave up his own band in 1957 when he had the opportunity to become a sideman in Miles Davis' epic ensemble with John Coltrane, eventually resulting in some of the greatest jazz recordings of all time (including Milestones and Kind of Blue). Davis returned the favor in March of 1958, appearing as a sideman on Adderley's all-star quintet date for Blue Note, and the resulting session is indeed Somethin' Else. Both horn players are at their peak of lyrical invention, crafting gorgeous, flowing blues lines on the title tune and "One for Daddy-O," as the rhythm team (Hank Jones, Sam Jones, Art Blakey) creates a taut, focused groove (pianist Hank Jones' sly, intuitive orchestrations are studies of harmonic understatement). Adderley's lush, romantic improvisation on "Dancing in the Dark" is worthy of Charlie Parker or Johnny Hodges, while the band refurbishes "Autumn Leaves" and "Love for Sale" into cliché-free swingers. And "Alison's Uncle" puts a boppish coda on Somethin' Else, one of the most gloriously laid-back blowing sessions of the hard bop era.” AllMusic Review by Rovi Staff


UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.

 

MoFi SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

 

Ratings :

AllMusic : 5 / 5 , Discogs : 4,7 / 5

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