Concord Jazz: Rhythm Along The Years (2LP, 45RPM, DDM) - Audiophile
Concord Jazz: Rhythm Along The Years (2LP, 45RPM, DDM) - Audiophile
Concord Jazz: Rhythm Along The Years (2LP, 45RPM, DDM) - Audiophile
Concord Jazz: Rhythm Along The Years (2LP, 45RPM, DDM) - Audiophile

Concord Jazz: Rhythm Along The Years (2LP, 45RPM, DDM)

€65,00
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COMPILATION

Rosemary Clooney (A1, D3), James Darren (A2), The Charlie Byrd Trio (A3), George Benson (A4, D2), Al Jarreau (A4), Susannah McCorkle (B1), Curtis Stigers (B2), LA4 (B3), Rita Coolidge(C1), Peter Cincotti (C2), Kenny G (C3), Carmen McRae (D1), Mel Torme (D4), Cleo Laine (D4)

     

     

    2LP, Gatefold jacket

    Original analog Master tape: YES

    Heavy Press : 180g

    Record color : black

    Speed : 45 RPM

    Size : 12'’

    Stereo

    Studio

    Record Press : unspecified

    Label: in-akustik

    Original Label : Concord Jazz

    Originally released in 2019

     

    Tracks :

    Side A:

    1. Rosemary Clooney - The Days Of Wine And Roses
    2. James Darren - A Nightingale Sang In Berkeley Square
    3. The Charlie Byrd Trio with Special Guest Scott Hamilton - It's A Wonderful World
    4. George Benson & Al Jarreau (with Patti Austin) - Let It Rain

    Side B:

    1. Susannah McCorkle - No More Blues (Chega de Saudade)
    2. Curtis Stigers - All The Things You Are
    3. LA4 - Carinhoso

    Side C:

    1. Rita Coolidge - We're All Alone
    2. Peter Cincotti - Ain't Misbehavin'
    3. Kenny G - Corcovado (Quiet Night Of Quiet Stars)

    Side D:

    1. Carmen McRae - Don't You Worry 'Bout A Thing
    2. George Benson - Route 66
    3. Rosemary Clooney - The Shadow Of Your Smile
    4. Mel Torme & Cleo Laine - Every Time We Say Goodbye

     

    Direct Metal Mastering

    In Direct Metal Mastering, the cutting lathe engraves the audio signal directly onto a copper-plated master disc, instead of engraving the groove into a lacquer-coated aluminum disc.

    The direct metal mastering technology addresses the lacquer mastering technology's issue of pre-echoes during record play, caused by the cutting stylus unintentionally transferring some of the subsequent groove wall's impulse signal into the previous groove wall. In particular, a quiet passage followed by a loud sound often clearly revealed a faint pre-echo of the loud sound occurring 1.8 seconds ahead of time (the duration of one revolution at 33 rpm). This problem could also appear as post-echo, 1.8 seconds after a peak in volume.

    Another improvement is noise reduction. The lacquer mastering method bears a higher risk of adding unwanted random noise to the recording, caused by the enclosure of small dust particles when spraying the silvering on the lacquer master, which is the necessary first step of the electroplating process for reproduction of the master disc. As the DMM master disc is already made of metal (copper), this step is not required, and its faults are avoided.

    With the groove being cut straight into a metal foil, this removed a number of plating stages in the manufacturing process. This gave rise to more upper frequency levels and less surface noise. Additionally, groove pre-echo problems are significantly diminished. Bass is typically tight and well defined, even described as more accurate than the fat, mushy sound of lacquered vinyl pressings.

     

    Ratings :

    Discogs : 5 / 5 

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