One For All – No Problem (Japanese edition)
One For All – No Problem (Japanese edition)
One For All – No Problem (Japanese edition)
One For All – No Problem (Japanese edition)

One For All – No Problem (Japanese edition)

€125,00
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Tenor Saxophone – Eric Alexander

Piano – David Hazeltine

Bass – Ray Drummond

Drums – Joe Farnsworth

Trombone – Steve Davis

Trumpet – Jim Rotondi



 

1 LP, standard sleeve

Original Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press :  unspecified (Japan)

Label :  Venus

Original Label :  Venus

Recorded at Avatar Studio in New York on April 11, 2003

Engineered by Jim Anderson

Mixed by Shuji Kitamura, Tetsuo Hara

Produced by Tetsuo Hara, Todd Barkan

Mastered by Shuji Kitamura, Tetsuo Hara

Liner Notes by Takao Ogawa

Photography by John Abbott

Originally released in 2003


 

Tracks :

Side A:

  1. No Problem
  2. Whisper Not

Side B:

  1. Our Father Who Art Blakey
  2. Moanin'


 

Reviews:

“One for All have been an active New York City-based collective with fairly steady personnel except for the bass chair, which has rotated between several players. On this 2003 session for the Japanese Venus label, Ray Drummond joins tenorist Eric Alexander, trombonist Steve Davis, trumpeter Jim Rotondi, pianist David Hazeltine, and drummer Joe Farnsworth, the latter members all being part of the core group back to its creation in the mid-'90s. Most of the selections on this date are associated with Art Blakey's Jazz Messengers, having been written for the late drummer's band or popularized by him, while the band's name was the title of Blakey's final CD as a leader. It's easy to imagine Blakey digging Farnsworth's cooking tribute "Our Father Who Art Blakey." Duke Jordan's "No Problem" was a part of the Blakey repertoire during the late '50s; this arrangement gives it a decidedly Latin flavor. Hazeltine's soft touch in "Moanin'" is a refreshing change from the often heavy-handed interpretations. The exuberant "Time Off" sounds like it should have been a set closer, but this furious piece works regardless of its placement in the program, highlighted by Davis' blistering solo. For a change of pace, there's a lush treatment of Duke Ellington's "Prelude to a Kiss," showcasing a passionate Alexander solo.” AllMusic Review by Ken Dryden


 

Ratings :

AllMusic : 4 / 5 ; Discogs : 4.75 / 5

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