Reema – One For Sorrow, Two For Joy (2LP 3 sides, 45RPM, 1STEP, 140g)
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€85,00
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Lead Vocals, Acoustic Guitar, Electric Guitar – Reema
Acoustic Bass, Electric Bass – Haggai Cohen Milo
Drums – Tilo Weber
Organ – Dan Hemmer
Synth – Guy Sternberg
Written by Reema
2LP, Standard sleeve
Limited to 1,000 numbered copies
Original analog Master tape : YES
Heavy Press : 140g
Record color : black
Speed : 45RPM
Size : 12”
Stereo
Live Studio recording
Record Press : Optimal Media in Germany
Label : LowSwing Records
Original Label : LowSwing Records
Recorded and mixed by Guy Sternberg at LowSwing Tonstudio in Berlin, Germany
Produced by Guy Sternberg
Executive Producer – Matthias Lück
Lacquer cut by Rainer Maillard at Emil Berlin Studios
Graphic Design by Constanze Vogt, Erik Lautenschläger
Photography by Katha Mau
Originally released in April 2025
Tracks :
Side A:
- Black Clouds
- Whole World
- Little Bird
Side B:
- Witness
- Boundaries
- Magpie
Side C:
- You'll Be Dancing
- Little Mountain
- Your Name Hurts
- The World Is Ending
Reviews :
This is the 3rd record of the wonderful UK based singer and songwriter Reema on LowSwing Records.
After the success of “the LowSwing Sessions” (LOSW002 2017) and “Memories fade to tape” (LOSW005 2020) both voted albums of the month/year on many magazins and highly regarded for their sound and music by the audiophile community, here is “One for Sorrow, Two for Joy” to be released on April 4th 2025.
On this album Reema joined two outstanding musicians: Dan Hemmer, one of the world greatest Hammond player, known for his part in the trio “Blicher Hemmer Gadd” (with Michael Blicher and Steve Gadd) and “Deutsche Jazzpreis 2022” winner, Tilo Weber on drums and percussions.
The album contains 10 new beautiful songs by Reema pressed using the audiophile “one step processing” at 45rpm on 3 sides (2 vinyl), produced and recorded by Guy Sternberg and done fully analogue.
One Step. Instead of utilizing the industry-standard three-step lacquer process, one-step plating uses only one step, bypassing two processes of generational loss. One-step plating skip the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass. Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.
Ratings :
Discogs 5 / 5