Michael Jackson – Blood On The Dance Floor - HIStory In The Mix (picture disc, unsealed)
Regular price
€225,00
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Unsealed vinyl
This vinyl is in mint condition but unsealed.
Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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Vocals, Backing Vocals – Michael Jackson [click here to see more Vinyl/SACD featuring Michael Jackson]
Vocals – Janet Jackson (A6)
Performer – Sly & The Family Stone (A6)
Backing Vocals – Bill Bottrell (A2), Jon Mooney (A2), Brad Buxer (A2)
Keyboards, Synthesizer – Brad Buxer (A1-2), Teddy Riley (A1, A4), Keith Cohen (A2), Bryan Loren (A3), Brad Buxer (A4), Joe Moskowitz (B3), Satoshi Tomiie (B3)
Drums – Brad Buxer (A2)
Guitar – Brad Buxer (A2), Slash (A2), Bryan Loren (A3), Wyclef Jean (B1)
Percussion – Michael Jackson (A2), Bryan Loren (A2), Brad Buxer (A2), Steve Thornton (B3)
Viola – Juliet Haffner (A2)
Violin – Robert Chausow (A2)
Choir – The Andraé Crouch Singers (A2)
Conductor – George Del Barrio (A2)
Bass – Te-Bass (B1)
Rap – John Forte (B1)
Drum Programming - Statik (A2), Bryan Loren (A3), Alex Breuer (A4), Andrew Scheps (A4), Matt Carpenter (A4), Doug Grigsby (A4), Jeff Taylor (A5)
Keyboards Programming - Statik (A2)
Written by Michael Jackson (all tracks except B5), Teddy Riley (A1, A4), Bryan Loren (A3), James Harris III (A5-6, B6), Terry Lewis (A5-6, B6), Janet Jackson (A6), Bruce Swedien (B1), Dallas Austin (B1, B3), Rene (B1)
1 LP, transparent standard sleeve
Limited edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : picture disc
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : unspecified
Label : Epic
Original Label : Epic
Recorded 1990–1997
Engineered by Dave Way (A1), Mick Guzauski (A1), Teddy Riley (A1), Eddie De Lena (A2, A4), Mick Guzauski (A2), Tim Boyle (A2), Keith Cohen (A2), Dave Way (A3), Eddie DeLena (A4), Gary Wilkinson (A7), Warren Riker (B1), Bi ll Klatt (B2), David Sussman (B3), John Poppo (B5), Tony Coluccio (B6)
Mixed by Mick Guzauski (A1), Keith Cohen (A2), Dave Way (A3-4), Steve Hodge (A5), Jimmy Jam & Terry Lewis (A6), Pete Heller (A7), Terry Farley (A7), Warren Riker (B1), Wyclef Jean (B1), Todd Terry (B2), David Morales (B3), Hani (B4), Frankie Knuckles (B5), Bob Rosa (B6), Tony Moran (B6)
Produced by Michael Jackson (all tracks), Teddy Riley (A1, A4), Jimmy Jam & Terry Lewis (A5, B1, B6), Janet Jackson (A6), Pete Heller (A7), Terry Farley (A7), Pras (B1), Todd Terry (B2), Dallas Austin (B3), David Morales (B3), Bill Bottrell (B4), David Foster (B4), Satoshi Tomiie (B5), Bob Rosa (B6), Tony Moran (B6)
Originally released in 1997
Reissued in 1997
Tracks:
Side A:
- Blood On The Dance Floor
- Morphine
- Superfly Sister
- Ghosts
- Is It Scary
- Scream Louder (Flye Tyme Remix)
- Money (Fire Island Radio Edit)
Side B:
- 2 Bad (Refugee Camp Mix)
- Stranger In Moscow (Tee's In-House Club Mix)
- This Time Around (D.M. Radio Mix)
- Earth Song (Hani's Club Experience)
- You Are Not Alone (Classic Club Mix)
- HIStory (Tony Moran's HIStory Lesson)
Reviews :
“Despite its heavy promotion, HIStory was a considerable sales disappointment, largely because it buried an album of new material with a greatest-hits collection, causing the former to be overlooked. Although the new album was unfocused, it had its moments, which may be why Michael Jackson refused to let HIStory die. He remixed eight of its songs for Blood on the Dance Floor: History in the Mix, and then saddled that record with five new songs, which means that he repeated the same mistake by burying the new songs yet again. This time, however, it wasn't such a loss, since all the songs on Blood on the Dance Floor are embarrassingly weak, sounding tired, predictable and, well, bloodless. The title track, a bleak reworking of "Jam" and "Scream," is indicative of the weakness of the album, but it only touches on how sad the whole affair is. It would be one thing if Jackson wasn't relevant to the late '90s and ignored all contemporary innovations, since he could then make good music on his own terms. However, he flaunts his ignorance aggressively, as if sheer willpower will return him to the charts, making it all the more apparent that he can no longer craft a good melody or beat. And for one of the greatest musicians of the late '70s and early '80s, that's quite a depressing state of affairs.” AllMusic Review by Stephen Thomas Erlewine
Ratings :
AllMusic : 2 / 5 , Discogs : 4.11 / 5