Harry Belafonte – The Midnight Special - Audiophile
Harry Belafonte – The Midnight Special - Audiophile
Out of stock
Harry Belafonte – The Midnight Special - Audiophile
Harry Belafonte – The Midnight Special - Audiophile

Harry Belafonte – The Midnight Special

€45,00
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Harry Belafonte – vocals [click here to see more vinyl featuring Harry Belafonte]

Harmonica - Bob Dylan [click here to see more vinyl featuring Bob Dylan]

Bass – Norman Keenan

Drums – Danny Barrajanos, Don Lamond, Percy Brice

Guitar - Ernie Calabria, Millard Thomas

Saxophone - Jerome Richardson

Trumpet - Joe Wilder

Conductor, Arranged by Jimmy Jones

 

 

1LP, Standard sleeve

Original analog Master tape : YES

Heavy Press : 180g 

Record color : Black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas

Label : Speakers Corner

Original Label : RCA Victor

Engineered and mastered by Bob Simpson

Produced by Hugo Montenegro

Liner Notes by Bob Bollard

Photography by Peter Perri

Originally released in 1962

Reissued in 2003

 

 

Tracks :

Side A

  1. Midnight Special
  2. Crawdad Song
  3. Memphis Tennessee
  4. Gotta Travel On
  5. Did You Hear About Jerry?

Side B

  1. On Top Of Old Smokey
  2. Muleskinner
  3. Makes A Long Time Man Feel Bad
  4. Michael Row The Boat Ashore

 

Reviews:

“Known to rock collectors as being the first album to feature Bob Dylan (he plays harmonica on the title track), The Midnight Special is also a record that best exemplifies Harry Belafonte's uniqueness as a recording artist. Belafonte's main strength as a performer has been his ability to effect unique interpretations of traditional material. Combining blues, big band, gospel, and soul, Belafonte utilizes mainly traditional material on one of his best programmed albums of the sixties. The folk warhorse "On Top of Old Smokey" becomes a bluesy, supercharged six-minute epic which generates excitement as it increases in intensity, only to fade away in its denouement. "Muleskinner" is country music legend Jimmie Rodgers' "Blue Yodel No. 8," made all the more exciting by the Belafonte Folk Singers' whistles, shouts, and slaps. Other highlights include "Makes a Long Time Man Feel Bad," a prison work song transformed into an after hours blues and the folk standard "Crawdad Song," which becomes a rousing big band stomp. Belafonte's notorious perfectionism in the studio apparently didn't sit well with the 20-year old Dylan, who walked out on the session after recording only one title.” AllMusic Review by Cary Ginell

 

Ratings :

AllMusic : 4.5 / 5 ; Discogs : 4.35 / 5

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