4te! – City Jazz

4te! – City Jazz

VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Average shipping time : 2 to 4 working days. Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union


KRIZ B – piano

Hang Tzu “Fish” Yu – drums

Alan Kwan – guitar

Tsang Tak Hong - bass


1 vinyl, gatefold jacket

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’



Record Press : unspecified

Label : Evosound

Original Label : Evosound

Originally released in September 2022



      Side A:

      1. Tantalizing (じれったい)
      2. Hana
      3. Don't Go
      4. Sayonara
      5. Fall In Love

      Side B:

      1. Men & Women
      2. Sunset Melody
      3. Plastic Love
      4. Red Wine Heart
      5. Sky (〜Far away〜)




            “I always enjoy discovering new groups that successfully fuse various genres, coming up with a unique sound that showcases their individual musicianship. 4te, with members from Hong Kong and Taiwan, is a jazz quartet that delivers their collective knowledge that combines elements, style, and melody that line up perfectly while accenting the power of the musical term ‘forte’ for which the band has taken their name.

            (…) the supergroup reimagines ten Cantonese and Japanese classics into a melding of fusion, smooth, and modern jazz that is a magical combination of musical worlds. Comprised of leader and musical director, producer, and pianist Kriz B, drummer Hang Tzu “Fish” Yu, guitarist Alan Kwan and bassist Tsang Tak Hong, the group reels out exciting, well-thought-out arrangements and a seamless flow of the album right from the start.

            (…) Each note of the bass is completely full and expressive, while the drums are especially crisp and snappy along with being extremely responsive to the subtleties of Yu’s playing. Kwan’s guitar work reminds me somewhat of the ‘Wes Bound’ album by guitarist Lee Ritenour, exuding a vibrance and transparency that I have come to expect from current day recordings.

            “Hana” starts off by carrying forward the tender sound of Weather Report, primarily with Hong’s fretless bass work along with B’s gentle keyboard parts. Still current times take hold and 4te is true to its name as the dynamics are revved up throughout the remainder of this track as the band literally rocks in allowing bassist Hong’s to shine brightly as he coaxes disarming melodies from his instrument. Keyboards spread nicely across the sound field and fall slightly behind the speakers, with the bass firmly focused between the main channels. Cymbals splash to the left and right eventuating the peaks, going on to simmer into a distinct Cantonese melody.

            There is a hesitating joyful skip beat on the song “Don't Go” that imbues a very solid snare thwack and poppy kick drum. The free feeling led by the groove of the rhythm section is accompanied by smoothed out keyboard parts that glisten across the soundstage. The guitar vamps from the right channel and provides sultry solo work that pours from the center on this very uplifting peace.


            I have always fallen for well written melodies that flow over a progressive set of cord changes. The fifth tune “Fall in Love” draws me in with a melody that truly tells a passionate story, much like the evolution of love the melody evolves throughout the song. Additionally, while some segments are somewhat restated on this classic big-band flavored tune, the instrumentation, and voicing changes, giving new life as the song builds from beginning to end. (…) Although the instruments are electrified, they yield a natural acoustic feel, with absolutely no edginess, plus a real nice upper midrange and onward into the highest frequencies. The lows and mids are well balanced, making for a wonderful listening experience.

            One may notice as they get further into City Jazz that the magic lies mainly in how each song is put together. My favorite song on this release is “Men & Women” featuring an organ and guitar melody that vigorously stop-and-go in mostly a fusion jazz way. The slightly biting guitar cuts through a more traditional jazz structure that is met by a zesty organ solo as the piece traverses it sections. Once again, dynamics are on fire as we come out of a blazing guitar solo that leads into a short drum break, that in turn tempers down into a softer electric piano solo.

            I am certain that a great time was had by all developing the aural scape on “Red Wine Heart” featuring an extended delay and ambient reverb that clearly follows the strike of each snare hit. While there is an absolute direct presence, placing the instruments near o ones listening spot, there is also an extreme amount of depth that allows for the vast distance of space to fall behind the speakers. The sound stage is huge, giving the calm song ample room as is slowly flows along, extending melodic phrases which soar across the cavernous space. There is an absolute air of familiarity to this slow-tempo tune that is warm and inviting.

            It is less common to end an album with a humongous finale like “Sky,” that peaks and crescendos, but then again, the hustle of city life stand firmly here. With its excellent sound quality, composition, and musicianship, City Jazz is a fine collection of songs from 4te. Their ten songs are performed with great rigor, making for a joyful set of jazz infused classics that are perfect for nearly any moment of the day.

            Strongly recommended for fans of fusion jazz, smooth jazz, and contemporary jazz collectors.” Hi-Res Edition review by Wesley Derbyshire, August 2022

            Recently viewed