Abbey Lincoln - Abbey is Blue - Audiophile

Abbey Lincoln - Abbey is Blue

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Vocals - Abbey Lincoln

Tenor Saxophone – Stanley Turrentine  [click here to see more products featuring Stanley Turrentine]

Trumpet – Kenny Dorham [click here to see more products featuring Kenny Dorham]

Drums – Philly Joe Jones  [click here to see more products featuring Philly Joe Jones]

Drums - Max Roach - Drums [click here to see more products featuring Max Roach]

Piano – Wynton Kelly  [click here to see more products featuring Wynton Kelly]

Piano – Cedar Walton

Piano – Phil Wright

Flute, Guitar – Les Spann

Bass – Bobby Boswell, Sam Jones

Trombone – Julian Priester

Trumpet – Tommy Turrentine

Written by Langston Hughes, Kurt Weill (A2, B4), Abbey Lincoln (A3), Elisse Boyd, Murray Grand (A4), Oscar Brown, Jr. (A5), Sam M. Lewis, Joe Young (B1), Duke Ellington (B2), Oscar Hammerstein II, Sigmund Romberg (B3), Maxwell Anderson (B4), Oscar Brown, Jr., Tommy Turrentine (B5)

 

1 LP, Standard Sleeve

Original analog Master Tape : YES

Heavy Press : 180 g

Record Color : Black

Speed : 33 RPM

Size : 12’’

Stereo

Studio

Record Press : RTI

Label : Craft Recordings

Original Label : Riverside

Recorded Spring and Fall, 1959 - New York City

Engineered by Jack Higgins

Produced by Bill Grauer, Orrin Keepnews

Remastered by Kevin Gray

Liner Notes by Orrin Keepnews

Design by Harris Lewine, Ken Braren, Paul Bacon 

Photography by Lawrence N. Shustak

Originally released in 1959

Reissued in 2024




Tracks :

Side A :
  1. Afro-Blue
  2. Lonely House
  3. Let Up
  4. Thursday's Child
  5. Brother, Where Are You?

Side B :
  1. Laugh, Clown, Laugh
  2. Come Sunday
  3. Softly, As In A Morning Sunrise
  4. Lost In The Stars
  5. Long As You're Living

Reviews :

« Abbey Lincoln's third of three Riverside albums directly precedes her more adventurous work with drummer (and then-husband) Max Roach. With fine backup from trumpeter Kenny Dorham, pianist Wynton Kelly, Les Spann (doubling on guitar and flute), bassist Sam Jones, and drummer Philly Joe Jones) on seven of the ten numbers, and by Roach's regular quintet at the time on the other three selections, Lincoln is quite emotional and distinctive during a particularly strong set. Highlights include the first vocal version ever of "Afro-Blue," "Come Sunday," Oscar Brown, Jr.'s "Brother, Where Are You," "Softly, As in a Morning Sunrise," "Long as You're Living," and Lincoln's own "Let Up." A very memorable set." AllMusic Review by Scott Yanow.





Ratings

Allmusic : 4.5 / 5 ; Discogs : 4.62 / 5 ; All About Jazz : 4.5 / 5 ; DownBeat : 5 / 5 ; The Penguin Guide to Jazz Recordings : 3.5 / 4 ; PopMatters : 9 / 10 ; The Rolling Stone Jazz Record Guide : 5 / 5 ; The Virgin Encyclopedia of Jazz : 4 / 5


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