Aretha Franklin - Unforgettable: A Tribute To Dinah Washington
Aretha Franklin - Unforgettable: A Tribute To Dinah Washington
Aretha Franklin - Unforgettable: A Tribute To Dinah Washington
Aretha Franklin - Unforgettable: A Tribute To Dinah Washington

Aretha Franklin - Unforgettable: A Tribute To Dinah Washington

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Aretha Franklin (piano, vocals) [click here to see more vinyl featuring Aretha Franklin]

Buddy Lucas (hca, ts); Ernie Royal (tp); Bob Asher (tb); Teddy Charles (vib); Ernie Hayes (org, p); Paul Griffin (org)

George Duvivier - bass [click here to see more vinyl featuring George Duvivier]

Gary Chester (dr)

Written by Dinah Washington (B5), Irving Gordon (A1), Hank Williams (A2), Stanley Adams (A3), María Mendez Grever (A3), Johnny Mercer (A4), Doris Tauber (A4), Pearl Delaney (A5), Tom Delaney (A5), Leonard Feather (B1), Lionel Hampton (B1), Irving Berman (B2), Clyde Otis (B3), Ralph Rainger (B4), Leo Robin (B4), Henry Glover (B5), Morris Levy (B5), Titus Turner (B5)


1 LP, standard sleeve

Original analog Master tape : YES


Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’



Record Press : Pallas

Label : Speakers Corner

Original Label :  Columbia

Recording: August 1964 in New York

Production: Robert Mersey

Originally released in 1964

Reissued : May 2009


Tracks :

Side A :

  1. Unforgettable
  2. Cold, Cold Heart
  3. What A Diff'rence A Day Made
  4. Drinking Again
  5. Nobody Knows The Way I Feel This Morning

Side B : 

  1. Evil Gal Blues
  2. Don't Say You're Sorry Again
  3. This Bitter Earth
  4. If I Should Lose You
  5. Soulville


Reviews :

« Since her youth Franklin had admired Dinah Washington, and it's a safe bet that the level of emotional commitment Washington brought to her work was a major influence on the blossoming style of Aretha, not to mention Washington's effortless sense of swing. Shortly before she died, Washington took appreciate notice of her acolyte as well. So Aretha's tribute to Washington is as logical as it is satisfying. Recorded when Aretha was just 21, UNFORGETTABLE is somewhat of a departure from her more R&B-oriented early work. However, the string arrangements of Johnny Mersey adn the jazzy bass work of George Duvivier mesh perfectly with Franklin's high-flying vocal fireworks. From the slow, subtle caress of "What a Difference a Day Made" to the organ-led blues of "Nobody Knows the Way I Feel This Morning," the young Aretha is in total command of the material here, simultaneously paying homage to and progressing from the influence of Washington. » AllMusic Review by AllMusic


“Once Aretha Franklin started recording with Atlantic Records, her meteoric career was launched. She became a pop and r& b legend, dominating the music scene for decades. Like Ray Charles, she was able to take her gospel roots and transform them into artistic and commercial success. Her mesmerizing voice and emotional depth were unsurpassed. However, Franklin was originally signed to Columbia. From 1961-1967, Aretha released 9 albums that showcased her versatility in doo-wop, blues and jazz. Even with traditional material, she enjoyed some chart success. In 1964, Franklin recorded a tribute album (Unforgettable) to legendary singer Dinah Washington. In essence, this was handing off the torch from the recently deceased “Queen Of The Blues”  to her inevitable successor, “The Queen Of Soul”.

Speakers Corner Records has released a 180-gram vinyl re-mastering of Unforgettable. This album is stylishly produced with veteran session musicians and meticulous arrangements of Washington covers. While not possessing the visceral impact of her powerhouse future soul catalog, her prodigious talent emerges.  Side 1 opens with the eternal pop standard, “Unforgettable”. Nat “King” Cole initially popularized this song, but most agree that Dinah Washington’s 1959 version is historical. With a shading of tenor saxophone and Teddy Charles on vibes, strings add a tender counterpoint. Franklin glides into the first verse. While there is considerable subtlety in the vocals, the slow-burning intensity is there. Her deliberate phrasing with heart-aching, soulful accents build  until a rousing finish. “Cold Cold Heart” (by one of the greatest American songwriters, Hank Williams) has always been a country/popular music crossover. This arrangement intermingles a country blues resonance with harmonica (Buddy Lucas), organ and piano-fueled gospel fervor. Aretha instinctively knows when to dial up the emotion, and the horns add some muscle. On another well-known song, “What A Diff’erence A Day Makes”, the singer’s precise elocution is timeless. Franklin channels the spirit of Washington on the jazz ballad, “Drinking Again”. It eventually transitions to soul testimony, reflecting the bitter melancholy of the context. A muted trumpet (Ernie Royal) and evocative saxophone (Buddy Lucas) complement the stellar vocals. In vintage 16-bar blues, “Nobody Knows The Way I Feel This Morning” is close to perfection. The listener can hear the visceral essence of “modern” Aretha Franklin as she brings this one home.

Side 2 is compelling. “Evil Gal Blues” is a gritty performance and rivals the greats of this genre. A bigger swagger is augmented by Chicago-type horns and harmonica. This song (as pointed out by Leonard Feather in the incisive liner notes) became a staple of Aretha Franklin live performances throughout her career. It mirrors her larger-than-life musical persona. Switching gears, “Don’t Say Your Sorry Again” is pure torch song. The singer’s deep sentiment is balanced with a mellifluous trombone (Bob Asher) and gentle organ (Ernie Hayes). Additionally, various technical vocal skills, including vibrato are on display. There is an overt jazziness with Gary Chester’s crashing cymbals initiating a tempo change. Franklin covers back-to-back ballads (“This Bitter Earth”, “If I Should Lose You”) with commitment. The former showcases crystallized gospel wailing in homage to Mahalia Jackson (no doubt an inspiration to Washington and Franklin). The latter is equally moving (arranged like a 1950’s slow-dance orchestration) as Aretha displays her innate sense of timing. The finale (“Soulsville”) is revelatory. Here is the glimpse into the future of perhaps the greatest singer of all time. It is quintessential “Memphis-style” soul that simply blows the roof off. She not only offers incendiary lead vocals, but provides tracked-backup and piano. Even at the age of 21, her impactful artistry is clearly evident.

Speakers Corner has done an excellent job in re-mastering Unforgettable to 180-gram vinyl. The state-of-the-art 60’s Columbia Records “360 Sound” has been faithfully captured with a vibrant, balanced mix. The vinyl pressing is flawless, with no hisses or pops. The aforementioned Leonard Feather liner notes are insightful regarding the making of this album.” Robbie Gerson, Audiophile Audition, April 2020


These recordings were made before Aretha Franklin was honoured with such names as 'Lady Soul' or 'Soul Sister No. 1'. That the young, talented singer already possessed one of the most outstanding voices was confirmed by the great Dinah Washington who stated concisely but decisively: "The girl has got soul."

The present tribute album was recorded just a few months after Washington’s death and presents her most important and successful numbers, sung by her 23-year-old successor, who obviously feels quite comfortable when treading in the great singer’s footsteps. In "Unforgettable", a laid-back number with a string background, Aretha captivates the listener with her ever-changing vocal colouring and gospel-like ballad feeling.

In the second number, "Cold, Cold Heart", there is already evidence of a shimmering, subliminal blues nuance which is shot through with pointed harp phrases and the 'sucking' sound of the Hammond organ. While an old-fashioned bluesy style supported by a powerful bigband is characteristic of "Evil Gal Blues", unconventional arrangements using obbligato trombone ("Don’t Say You’re Sorry Again") are also found in this fascinating and highly varied line-up of numbers. Now, more than 40 years after its release, this album pays tribute to two unforgettable interpreters of black music.


Ratings :

Allmusic : 4.5 / 5  ; Discogs  4.00 / 5 ; Audiophile Audition : 4.5 / 5

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