Elvis Presley - Blue Hawaii (2LP, 45RPM, Ultra Analog)
Elvis Presley - Blue Hawaii (2LP, 45RPM, Ultra Analog)
Elvis Presley - Blue Hawaii (2LP, 45RPM, Ultra Analog)
6% off
Elvis Presley - Blue Hawaii (2LP, 45RPM, Ultra Analog)
Elvis Presley - Blue Hawaii (2LP, 45RPM, Ultra Analog)
Elvis Presley - Blue Hawaii (2LP, 45RPM, Ultra Analog)

Elvis Presley - Blue Hawaii (2LP, 45RPM, Ultra Analog)

€89,00
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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Elvis Presley – lead vocals  [click here to see more vinyl featuring Elvis Presley]

The Surfers – backing vocals

The Jordanaires – backing vocals

Boots Randolph – saxophone

George Field – harmonica

Freddie Tavares – ukulele

Bernie Lewis – ukulele

Hank Garland – acoustic guitar

Tiny Timbrell – acoustic guitar

Scotty Moore – electric guitar

Alvino Rey – pedal steel guitar

Floyd Cramer – piano

Dudley Brooks – piano, celeste

Bob Moore – double bass

D.J. Fontana – drums

Bernie Mattinson – drums, percussion

Hal Blaine – drums, percussion

Blue Hawaii

Adapted and arranged by Elvis Presley (A3)

Written-By – Leo Robin (A1), Ralph Rainger (A1), Fred Wise (A2, B2), Ben Weisman (A2, B2-3), Don Robertson (A4), Hal Blair (A4), George David Weiss (B1, C1), Hugo Peretti (B1, C1), Luigi Creatore (B1, C1), Dolores Fuller (B2), Sylvia Dee (B3), Sid Tepper and Roy C. Bennett (C2 to D2), Al Hoffman (D3), Charles E. King (D3), Dick Manning (D3)


2 LPs, gatefold jacket

Limited numbered edition

Original analog Master tape : YES

Gain 2™ Ultra Analog

Heavy Press : 180g High-Definition Vinyl

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : RTI

Label : MOFI

Original Label : RCA Victor

Recorded March 21–23, 1961 at Radio Recorders (Hollywood)

Produced by Steve Sholes

Mastered by Krieg Wunderlich, Assisted by Rob LoVerde at Mobile Fidelity Sound Lab ®, Sebastopol

Originally released in October 1961

Reissued in September 2022

 

Tracks:

Side A:

  1. Blue Hawaii
  2. Almost Always True
  3. Aloha Oe
  4. No More

Side B:

  1. Can't Help Falling in Love
  2. Rock-A-Hula Baby
  3. Moonlight Swim

Side C:

  1. Ku-u-i-po
  2. Ito Eats
  3. Slicin' Sand
  4. Hawaiian Sunset

Side D:

  1. Beach Boy Blues
  2. Island of Love
  3. Hawaiian Wedding Song

       

      Reviews:

      “Elvis movies never came bigger than Blue Hawaii, the 1961 romantic musical comedy whose success helped push Presley into near full-time filmmaking for the bulk of the '60s. Not only was the flick a hit but so was the soundtrack, going Gold by the end of 1961, a success partially fueled by the ballad "Can't Help Falling in Love," a song so good it suggests the rest of the record might contain other gems. That's not the case. The record has its moments, including the dreamy title track, but as an album, Blue Hawaii is undone by a film that demands a good chunk of its tunes carry a Hawaiian flavor. Often, this mid-century Polynesian exotica has its charms -- Elvis croons sweetly on the swaying luaus and everybody involved has the good sense to embrace the project's inherent silliness, letting themselves josh around on deliberate fluff like "Rock-A-Hula Baby" and the vaudevillian rhumba that's "Beach Boy Blues." Both of these are ridiculous but on record, they're slightly preferable to the steady march of island tunes ("Aloha Oe," "Ku-U-I-Po," "Island of Love," "Hawaiian Love Song"), all silver screen corn performed with a bit more panache than they deserve.” AllMusic Review by Stephen Thomas Erlewine

      Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.

      Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

       

      Ratings :

      AllMusic : 3 / 5 , Discogs : 3.94 / 5

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