George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night
George Benson - Give Me The Night

George Benson - Give Me The Night

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Vocals – George Benson - vocals (A1, A3, A4, B3-6), guitar (A1 to B1, B4-6) [click here to see more vinyl featuring George Benson]

Vocals - Patti Austin (A3, B3)

Backing Vocals – Diva Gray (A1, A4, B4), Jim Gilstrap (A1, A4, B4), Jocelyn Allen (A1, A4, B4), Patti Austin (A1, A4, B2, B4, B6), Tom Bahler (tracks: A1, A4, B4, B6)

Herbie Hancock - Electric Piano (A4, B4), Keyboards [Fender Rhodes] (B3-4) [click here to see more vinyl featuring Herbie Hancock]

Guitar –  Lee Ritenour (A2, A4, B1, B4-5)

Bass – Abraham Laboriel (A1, A3 to B1, B3-4), Louis Johnson (A1-2, B2, B6)

Drums – Carlos Vega (B3, B5), John Robinson (A1 to B2, B4, B6)

Keyboards – Greg Phillinganes (A1-3, B6)

Percussion – Paulinho Da Costa (A1-2, A4, B1-4, B6)

Saxophone, Flute – Kim Hutchcroft (A1-2, A4, B1-2, B5), Larry Williams (A1-2, A4, B1-2, B5)

Synthesizer – Greg Phillinganes (A2-3), Herbie Hancock (B2-5), Michael Boddicker (A4, B1, B4), Richard Tee (B4-6)

Trumpet – Jerry Hey (A1-2, A4, B1-2, B5)


1 LP, gatefold jacket

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’



Record Press : Pallas

Label : Pure Pleasure

Original Label : Warner Brothers

Recorded in 1980 at Cherokee Recording Studios, Hollywood & Kendun Recorders, Burbank, California

Recorded & Mixed by Bruce Swedien

Produced by Quincy Jones

Remastered by Ray Staff at Air Mastering, Lyndhurst Hall, London

Originally released in 1980

Reissued in 2015



Side A:

  1. Love X Love
  2. Off Broadway
  3. Moody's Mood
  4. Give Me the Night

Side B:

  1. What's On Your Mind
  2. Dinorah, Dinorah
  3. Love Dance
  4. Star of A Story (X)
  5. Midnight Love Affair
  6. Turn Out the Lamplight



“Growing up in Pittsburgh, Pennsylvania, George Benson quickly became a guitar prodigy. He was renowned for his rest-stroke picking technique, popularized by gypsy players, including Django Reinhardt. Benson’s musical ascent started as a sideman with Jack McDuff. There he developed his style of soulful jazz. He signed with Creed Taylor’s label CTI Records, and played on sessions with Freddie Hubbard and Stanley Turrentine. Additionally, he became a solo artist and drew attention for his Beatles tribute, The Other Side Of Abbey Road.

His career trajectory changed dramatically when he signed with Warner Brothers. The 1976 album, Breezin’, earned Benson his first Grammy awards including Best Pop Instrumental Performance and Record Of The Year (a sparkling rendition of Leon Russell’s “Masquerade”). His musical expansion was just beginning. And in 1980, Benson became a bona fide star on the Quincy Jones produced, Give Me The Night. With lavish production standards and all-star ensemble, the album hit Number 1 on both the Soul and Jazz Charts, and peaked at Number 3 on the Billboard Pop Album chart. Benson garnered three Grammys for Give Me The Night. To date, he has received ten.

Pure Pleasure Records has released a 180-gram re-mastering of Give Me The Night. The vinyl format defines the swirling textures of the sumptuous Quincy Jones production (similar to Michael Jackson’s Off The Wall). There are numerous players on every track. Side 1 opens with one of the album’s singles, “Love X Love”. Like many of the songs, it was written by Rod Temperton and reflects the fluid, rhythmic influence of the disco era. Layered instrumentals and vocals envelop Benson’s soulful voice. The backup vocals are arranged with a hint of gospel infection. Benson’s trademark guitar can be heard in this pop r&b confection. Shifting gears (but not that much) is an instrumental “Off Broadway”. Benson is joined by guitarist Lee Ritenour as the funk groove (with horn accents) continues with some jazzy chord changes. There are spirited guitar riffs and a dose of scat. Keeping his jazz roots intact, Benson takes on the James Moody/Eddie Jefferson 1949 classic, “Moody’s Mood”. He pushes the boundaries of vocal phrasing with gauged ferocity and accelerated timing. Patti Austin excels on her part of the vocals. The last cut is the infectious title cut. This exemplifies the meticulous dynamics that elevates pop material. With a big sound, it complements Benson’s accessible vocals. The song has a strong chorus and bridge, with a flawless vocal/percussion/guitar tempo break. It easily stands the test of time.

As much as Jones’ multi-layered production enhanced Side 1, the chemistry is less effective on Side 2. All of the elements (Benson’s dulcet vocals, layered keyboards and backup singing) are present, but at times overwhelm the proceedings. Ballads like “What’s On Your Mind” and “Star Of A Story (X)” (despite a melodic string arrangement conducted by Marty Paich) are moving, though lacking in prominence. However, “Love Dance” (with pristine acoustic guitar by Ritenour) is a moody jazz ballad that works. Also, “Dinorah, Dinorah” benefits from a latin-infused arrangement with cinematic string flourishes and scat. Most of the intricate production on Give Me The Night works. The funky nuances on “Midnight Love Affair” are augmented by groove-filled bass, synthesizer and catchy vocal chorus hook. While it is clear that Benson’s voice is being showcased, his inimitable guitar lines are also present.

Pure Pleasure has done a superior job on this hi-res vinyl. All of the instrumental tonality is full of warmth and exactitude. Benson’s voice is gossamer-like. The complex musical landscape still has a state-of-the-art crispness. The high-gloss gatefold packaging and protected album sleeve are top-notch.” John Sunier, Audiophile Audition, February 2015


"Is it really 35 years since this stunning, Quincy Jones-produced release first appeared? Virtuoso jazz guitarist, Benson forged a mainstream soul/pop solo career with polished efforts like this, he post-rock era equivalent of the lounge balladry that, 25 years earlier, would have been Sinatra’s turf. The big difference, and the only aspect that dates it, is the use of a disco beat – de rigueur of the times. To remind those of you above a certain age and inform those of you below, this reached No l in the Soul and Jazz albums charts, and made No 3 in Billboard’s Pop Albums Charts, while the title track was a No l soul single". Slick? Believe it.” Ken Kessler, HiFi News, May 2015


“This is the peak of George Benson's courtship of the mass market -- a superbly crafted and performed pop album with a large supporting cast -- and wouldn't you know that Quincy Jones, the master catalyst, is the producer. Q's regular team, including the prolific songwriter Rod Temperton and the brilliant engineer Bruce Swedien, is in control, and Benson's voice, caught beautifully in the rich, floating sound, had never before been put to such versatile use. On "Moody's Mood," Benson really exercises his vocalese chops and proves that he is technically as fluid as just about any jazz vocalist, and he become a credible rival to Al Jarreau on the joyous title track. Benson's guitar now plays a subsidiary role -- only two of the ten tracks are instrumentals -- but Q has him play terrific fills behind the vocals and in the gaps, and the engineering gives his tone a variety of striking, new, full-sounding timbres. The instrumentals themselves are marvelous: "Off Broadway" is driving and danceable, and Ivan Lins' "Dinorah, Dinorah" grows increasingly seductive with each play. Benson should have worked with Jones from this point on, but this would be their only album together.” AllMusic Review by Richard S. Ginell


Ratings :

AllMusic : 5 / 5 ; Discogs : 4.7 / 5 ; HiFi News : Sound Quality 89%

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