Jackie McLean  - 4, 5, and 6 (Mono, 200g)
Jackie McLean  - 4, 5, and 6 (Mono, 200g)
Jackie McLean  - 4, 5, and 6 (Mono, 200g)
Jackie McLean  - 4, 5, and 6 (Mono, 200g)

Jackie McLean - 4, 5, and 6 (Mono, 200g)

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€65,00
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WE USUALLY SHIP VINYL WITHIN 3 TO 5 WORKING DAYS
But due to high demand we sometines need more time


1 LP, Deluxe high-gloss tip-on album jacket

Limited edition

Original analog Master tape : YES

Heavy Press : 200g

Record color : black

Speed : 33RPM

Size : 12”

Mono

Studio

Record Press :  Quality Record Pressings

Label :  Analogue Productions

Original Label :  Prestige

Recorded at Van Gelder Studio, Hackensack, New Jersey by Rudy Van Gelder

Remastered by Kevin Gray

Originally released in 1956

Reissued in 2012

 

Tracks :

Side One:

  1. Sentimental Journey
  2. Why Was I Born?
  3. When I Fall In Love

Side Two:

  1. Contour
  2. Abstraction
  3. Confirmation

 

Reviews :

"In 1956 Jackie McLean was only beginning to assert himself as a true individualist on the alto saxophone, exploring the lime-flavored microtones of his instrument that purists or the misinformed perceived as being off-key or out of tune. 4, 5 and 6 presents McLean's quartet on half the date, and tunes with an expanded quintet, and one sextet track -- thus the title. Mal Waldron, himself an unconventional pianist willing to explore different sizings and shadings of progressive jazz, is a wonderful complement for McLean's notions, with bassist Doug Watkins and drummer Art Taylor the impervious team everyone wanted for his rhythm section at the time. The quartet versions of "Sentimental Journey," "Why Was I Born?," and "When I Fall in Love" range from totally bluesy, to hard bop ribald, to pensive and hopeful, respectively. These are three great examples of McLean attempting to make the tunes his own, adding a flattened, self-effaced, almost grainy-faced texture to the music without concern for the perfectness of the melody. Donald Byrd joins the fray on his easygoing bopper "Contour," where complex is made simple and enjoyable, while Hank Mobley puts his tenor sax to the test on the lone and lengthy sextet track, a rousing version of Charlie Parker's risk-laden "Confirmation." It's Waldron's haunting ballad "Abstraction," with Byrd and McLean's quick replies, faint and dour, that somewhat illuminates the darker side. As a stand-alone recording, 4, 5 and 6 does not break barriers, but does foreshadow the future of McLean as an innovative musician in an all-too-purist mainstream jazz world." AllMusic Review by Michael G. Nastos

4, 5, & 6 is a strong outing for the legendary alto saxophonist and his swinging rhythm section of pianist Mal Waldron, bassist Doug Watkins and drummer Art Taylor. Detroiter Donald Byrd joins in on trumpet for the recording's two original compositions, Waldron's "Abstraction and Kenny Drew's "Contour. Tenor great Hank Mobley makes the group a sextet on Parker's "Confirmation... 4, 5 & 6 is a fun, swinging document of an inspired blowing session with some of the hippest musicians of a bygone era. It's exciting to hear McLean, so rooted in bebop, moving forward in identifiable new directions. " - allaboutjazz.com, John Barron, March 2007

"During his avant-garde period in the early 60s McLean dismissed his earlier recordings, but whatever impossible standards he was setting for himself, his playing on them still sounds fresh, creative, and inspired... The only way McLean's bright, biting sound was ever heard to better advantage was live." - Duck Baker, The Absolute Sound, April 2013

 

Rating:

AllMusic 4 / 5  ,  Discogs 4.54 / 5  ,  The Absolute Sound : Sonics = 5/5; Music = 3.5/5 

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