Lee Konitz Quartet - Jazz Nocturne (Japanese edition) - AudioSoundMusic
Lee Konitz Quartet - Jazz Nocturne (Japanese edition) - AudioSoundMusic
Lee Konitz Quartet - Jazz Nocturne (Japanese edition) - AudioSoundMusic
Lee Konitz Quartet - Jazz Nocturne (Japanese edition) - AudioSoundMusic

Lee Konitz Quartet - Jazz Nocturne (Japanese edition)

€69,00
banner
AVERAGE SHIPPING TIME : 2 TO 4 WORKING DAYS
Delivery time depends on country of delivery
worldwide-delivery
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union





ORDER LIMITED TO ONE ITEM PER CUSTOMER

Lee Konitz, alto sax

Kenny Barron, piano

James Genus, bass

Kenny Washington, drums

 

1 LP, standard sleeve

Limited edition

Original Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio 

Record Press :  Japanese Pressing

Label :  Venus

Original Label :  Evidence

 Recorded at The Red Rock Recording Studio in Pennsylvania on June 16 and 17, 2002.

 Engineered by Pete Beckerman

 Produced by Tetsuo Hara

 Remastered by Tetsuo Hara

 Originally released in 1998

 Reissued in 2021

 

Tracks :

Side A:

  1. You'd Be So Nice To Come Home To
  2. Alone Together
  3. My Funny Valentine

 

Side B:

  1. Misty
  2. Body And Soul
  3. In A Sentimental Mood

 

Reviews :

"Although never a poll winner, altoist Lee Konitz has had a more productive and consistently stimulating career than most of his contemporaries, never afraid to improvise fairly freely in his relaxed style. For this Evidence CD, Konitz digs into seven standards with an impressive rhythm section (pianist Kenny Barron, bassist James Genus and drummer Kenny Washington) and constantly comes up with interesting ideas and new twists. There are no phony disguises of familiar tunes with new titles on this date; just creative blowing. Konitz uplifts such often-overplayed material as "You'd Be So Nice to Come Home To," "Misty," "Alone Together," "Body and Soul" and "My Funny Valentine" without ever becoming predictable; Kenny Barron is in excellent form, too. This album is recommended as a strong example of Lee Konitz's playing in the '90s." AllMusic Review by Scott Yanow

 

Ratings :

AllMusic 4.5/5  ,  Discogs 4.11/5

Recently viewed