Mendelssohn - Violin Concerto – Johanna Martzy & Ida Haendel (Mono) - AudioSoundMusic
Mendelssohn - Violin Concerto – Johanna Martzy & Ida Haendel (Mono) - AudioSoundMusic
Out of stock
Mendelssohn - Violin Concerto – Johanna Martzy & Ida Haendel (Mono) - AudioSoundMusic
Mendelssohn - Violin Concerto – Johanna Martzy & Ida Haendel (Mono) - AudioSoundMusic

Mendelssohn - Violin Concerto – Johanna Martzy & Ida Haendel (Mono)

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Felix Mendelssohn — Violin Concerto in E minor, Op. 64

Johanna Martzy, Violin

Ida Haendel, Violin

Radio-Sinfonieorchester Stuttgart des SWR

Hans Müller-Kray, Conductor

 

1LP, Old style tip-on Jacket with extra protection jacket for the record

Original analog Master tape : YES

Heavy Press : 180g Virgin vinyl

Record color : Black

Speed : 33RPM

Size : 12'’

Mono

Studio

Record Press : Pallas (Germany)

Label : Analogphonic

Original label : SWR Music

Recorded on 5th February 1959 at Liederhalle Stuttgart (Johanna Martzy) and on 10th January 1953 at Sendesaal Villa Berg (Ida Haendel)

Engineered by Hannes Staub

Mastered by Rainer Maillard

Originally released in 1999

Reissued in 2016

 

Tracks :

Side A :

  1. Andante - Allegro con anima
  2. Andante cantabile, con alcuna licenza - Moderato con anima

Side B :

  1. Valse. Allegro moderato
  2. Finale. Andante maestoso - Allegrovivace

 

Reviews:

“It is particularly instructive, following the terrific studio recordings of the concertos by Mendelssohn (and Brahms), to hear the exciting live concert recording made in Stuttgart a few years later with the chief conductor of the RSO, Hans Müller-Kray (1959) and appreciate what a phenomenal violinist Johanna Martzy was, without any thought of grandstanding or pretension, always authentic, fully emphatic and with a select, cultivated taste.”  Christoph Schlüren

“The young Ida Haendel was technically on top form in Stuttgart in 1953-55 when she broadcast the Mendelssohn Concerto under the baton of Hans Müller-Kray, her approach, as ever, sweet-toned, fiery... always her intimitable self.” The Gramophone Magazine

 

Ratings:

Discogs : 5 / 5

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