Miles Davis - Nefertiti (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Miles Davis - Nefertiti (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Miles Davis - Nefertiti (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)
Miles Davis - Nefertiti (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)

Miles Davis - Nefertiti (2LP, Ultra Analog, Half-speed Mastering, 45 RPM)

VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Average shipping time : 2 to 4 working days. Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : No return policy for countries outside of European Union


Miles Davis, trumpet [click here to see more vinyl featuring Miles Davis]

Wayne Shorter, tenor sax [click here to see more vinyl featuring Wayne Shorter]

Herbie Hancock, piano [click here to see more vinyl featuring Herbie Hancock]

Ron Carter, bass [click here to see more vinyl featuring Ron Carter]

Tony Williams, drums


2 LPs, gatefold sleeve

Limited numbered edition

Original analog Master tape : YES

Half-speed Mastering

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 45RPM

Size : 12”



Record Press : RTI

Label : MOFI

Original Label : Columbia

Recorded June 7, 22-23 and July 19, 1967 at Columbia Studio, 30th Street, New York City

Engineered & mixed by : Fred Plaut, Ray Moore

Produced by Howard A. Roberts (pistes : B1 to B3), Teo Macero (pistes : A1 to A3)

Remastered by Krieg Wunderlich

Originally released in 1968

Reissued in 2014



Side A :

  1. Nefertiti
  2. Fall


Side B :

  1. Hand Jive


Side C :

  1. Madness


Side D :

  1. Riot
  2. Pinocchio


Reviews :

"If the iconic Miles Davis album Kind of Blue captured an event-an abrupt musical switch from melody to modal, these three mid-period quintet albums, Sorcerer (1967), Nefertiti (1968) and Filles De Kilimanjaro (1969) represent a period of transition as the quintet moves slowly towards Miles's amplified instrument embrace. ... These three double 45rpm releases along with much of the Miles catalog are among Mobile Fidelity's best work to date. For Miles fans these are not to be missed." Michael Fremer,

"Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music anticipates the free-fall, impressionistic work of In a Silent Way, yet it remains rooted in hard bop, particularly when the tempo is a bit sprightly, as on "Hand Jive." Yet even when the instrumentalists and soloists are placed in the foreground -- such as Miles' extended opening solo on "Madness" or Hancock's long solo toward the end of the piece -- this never feels like showcases for virtuosity, the way some showboating hard bop can, though each player shines. What's impressive, like on all of this quintet's sessions, is the interplay, how the musicians follow an unpredictable path as a unit, turning in music that is always searching, always provocative, and never boring. Perhaps Nefertiti's charms are a little more subtle than those of its predecessors, but that makes it intriguing. Besides, this album so clearly points the way to fusion, while remaining acoustic, that it may force listeners on either side of the fence into another direction." AllMusic Review by Stephen Thomas Erlewine


      Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.


      Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

      Ratings :

      AllMusic : 5 / 5 , Discogs : 4,47 / 5 ,  Michael Fremer : Music = 10/11; Sound = 9/11

      Recently viewed