Seals & Crofts - Summer Breeze (2LP, 45RPM)

Seals & Crofts - Summer Breeze (2LP, 45RPM)

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Dash Crofts – Guitar, Mandolin, Keyboards

Jim Seals – Guitar, Fiddle, Saxophone

Tambura: Milt Holland

Guitar: Louis Shelton

Steel Guitar: Red Rhodes

Banjo: John Hartford

Bass: Harvey Brooks, Robert Lichtig, Joe Osborn

Keyboards: John Ford Coley, Larry Knechtel, Michael Lang, Clarence McDonald, Michael Omartian

Drums: Jim Gordon, Jim Keltner, Russ Kunkel

Percussion: King Errisson, John Guerin, Milt Holland

Saxophone: Wilton Felder

Woodwinds: Jim Horn, Robert Lichtig

Backing Vocals: Dee Higgins, Don Shelton

String arranged by Marty Paich

Lyrics by Jim Seals (all tracks), Dash Crofts (B1)

Music by Jim Seals and Dash Crofts


 

2LPs, gatefold jacket printed by Stoughton Printing

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45RPM

Size : 12”

Stereo

Studio

Record Press : Quality Record Pressings

Label : Analogue Productions - Acoustic Sounds 40 Series

Original Label : Warner

Recorded at Sound Factory (Hollywood)

Engineered by Dave Hassinger, Val Caray

Produced by Louie Shelton

Originally released in September 1972

Reissued in 2026

 

 

Tracks:

Side A:

  1. Hummingbird
  2. Funny Little Man

Side B:

  1. Say
  2. Summer Breeze
  3. East Of Ginger Trees

Side C:

  1. Fiddle in the Sky
  2. The Boy Down the Road
  3. The Euphrates

Side D:

  1. Advance Guards
  2. Yellow Dirt


     

    Reviews :

    “Summer Breeze offered an unusually ambitious array of music within a soft rock context -- most artists tried to avoid weighty subjects in such surroundings (except, of course, CSN or Simon & Garfunkel, who could pretty much get away with anything). The title track is one of those relentlessly appealing 1970s harmony-rock anthems, in the same mode as the Doobie Brothers' "Listen to the Music" and appropriately ubiquitous on the radio and in the memory; the guitar (electric and acoustic) and vocal hooks are all well-nigh irresistible. The rest varies in sound and focus. "Hummingbird" quotes from the Baha'i scriptures and has a segmented structure with a chantlike opening and a sharp change in tempo, which didn't stop it from becoming a hit, and for all of its beauty, the soaring Marty Paich-arranged orchestral accompaniment, highlighted by lofty strings and a gorgeous horn part, never eclipses the core sound of the duo's singing and their acoustic guitar/mandolin combination. "Funny Little Man" mixes understated harmonies and acoustic instruments into an extended break that could almost pass for a classical piece. "Say" asks a lot of serious philosophical questions amid its rapid beat and playful tone. "East of Ginger Trees" is a hauntingly beautiful excursion into more Baha'i scripture, with delectable harmonies, a gorgeous mandolin part, and one of the most exquisitely restrained uses of orchestra of its era. "Fiddle in the Sky" shifts the album into purer country territory, while "The Boy Down the Road" moves listeners into a country-folk vein with a spookily melodramatic tale. "The Euphrates" picks up the tempo, providing an upbeat take on the meaning of life that loses none of its inherent sense of wonder. "Advance Guards" has that same sense of wonder, conveying it in a slower, more luxuriant setting, and the record ends on a rougher-hewn note with the more beat-driven, electric guitar-heavy "Yellow Dirt." Summer Breeze was the most highly regarded of all of Seals & Crofts' albums, a fact reflected by its reissue as part of the all too short-lived Warner Archives series in 1995, which also accounts for its far better than average sound.” AllMusic Review by Bruce Eder


     

    Ratings :

    AllMusic : 4.5 / 5 , Discogs : 3.81 / 5

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