The Allman Brothers Band – Eat A Peach (2LP, SuperVinyl)
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Gregg Allman – lead vocals, Hammond organ, piano, Fender Rhodes electric piano, acoustic guitar [click here to see more vinyl featuring Gregg Allman]
Duane Allman – slide guitar, lead guitar, acoustic guitar (on all tracks except A1-3)
Dickey Betts – lead guitar, lead vocals (C4)
Berry Oakley – bass guitar
Jai Johanny Johanson – drums, congas
Butch Trucks – drums, percussion, timpani, gong, vibes, tambourine
Written by Gregg Allman (A1, A3, C3), Dicky Betts (A2), Donovan Phillips Leitch (B1, D1), Boy Williamson (C1), McKinley Morganfield (C2), Raymond Oakley (C3), Dicky Betts (C4), Duane Allman (C5)
1 LP, gatefold jacket
Limited edition
Original analog Master tape : YES
Heavy Press : 180g SuperVinyl
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Live
Record Press : Victor Company Of Japan
Label : MOFI
Original Label : Capricorn
Recorded live from the final Fillmore East show in New York on June 27, 1971 except B1 & C2 recorded March 12 and 13, 1971 at the Fillmore East in New York
Engineered by Aaron Baron (B1, C1-2, D1), Howie Albert (A1 to A3, C3 to C5), Larry Dahlstrom (B1, C1-2, D1), Ron Albert (A1-3, C3-5)
Produced by Tom Dowd
Originally released in February 1972
Reissued in October 1984
Tracks:
Side A:
- Ain’t Wastin’ Time No More
- Les Brers In A Minor
- Melissa
Side B:
- Mountain Jam
Side C:
- One Way Out
- Trouble No More
- Stand Back
- Blue Sky
- Little Martha
Side D:
- Mountain Jam, Cont’d
Reviews :
“A tribute to the dearly departed Duane, Eat a Peach rambles through two albums, running through a side of new songs, recorded post-Duane, spending a full album on live cuts from the Fillmore East sessions, then offering a round of studio tracks Duane completed before his death. On the first side, they do suggest the mellowness of the Dickey Betts-led Brothers and Sisters, particularly on the lovely "Melissa," and this stands in direct contrast with the monumental live cuts that dominate the album. They're at the best on the punchier covers of "One Way Out" and "Trouble No More," both proof of the group's exceptional talents as a roadhouse blues-rock band, but Duane does get his needed showcase on "Mountain Jam," a sprawling 33-minute jam that may feature a lot of great playing, but is certainly a little hard for anyone outside of diehards to sit through. Apart from that cut, the record showcases the Allmans at their peak, and it's hard not to feel sad as the acoustic guitars of "Little Martha" conclude the record, since this tribute isn't just heartfelt, it offers proof of Duane Allman's immense talents and contribution to the band.” AllMusic Review by Stephen Thomas Erlewine
Ratings :
AllMusic : 5 / 5 , Discogs : 4,53 / 5