Grayson Capps - volume 2 (200g, D2D, unsealed)
Regular price
€29,00
In-stock vinyl & CD will be shipped on August 18th. Equipment will be shipped from September 2nd.
Please accept our apologies for the inconvenience
Unsealed vinyl
This vinyl is in mint condition but unsealed.
Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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RARITY - Unsealed (Mint conditions)
Vocals, Guitar – Grayson Capps
Bass – Christian Grizzard
Drums – John Milham
Guitar – Corky Hughes
Keyboards – Chris Spies
1 LP, standard sleeve
Direct-to-Disc recording
Heavy Press : 200g
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : Quality Record Pressings
Label : APO Records
Original Label : APO Records
Recorded at Blue Heaven Studios, Salina, Kansas
Engineered by Katsu Naito
Produced by Chad Kassem
Remastered by Kevin Gray
Released in 2011
Tracks:
Side A :
- Get Back Up
- Love Song For Bobby Long
Side B :
- Lorraine's Song
- I See You
- Graveyard
Reviews :
“…Grayson Capps is alive and well and slowly building one of the most phenomenal songbooks in America today. If ever there were a cat primed to pick up where Lowell George and John Prine have left off, it’s Capps.” — Jambase
Having drawn comparisons to the likes of Tom Waits, Townes Van Zandt and Drive By Truckers, to name but a few, Grayson Capps proves an artist equally singular in vision as those to whom he’s compared. He doesn’t always paint the prettiest pictures or offer a gleamy white smile, but he does reach down deep to remind us of our own humanity. Capps descends from the celebrated American Southern literary tradition and his songs deal with the South and the idiosyncrasies of its people, landscapes and tempos.
His backing band, The Lost Cause Minstrels, comprises some of the finest players on today’s Gulf Coast music scene, including Corky Hughes on guitar, Chris Spies on keys, Christian Grizzard on bass and John Milham on drums.
Direct-to-disc (D2D) recording refers to sound recording methods that record audio directly onto analog disc masters bypassing steps as master tapes, overdubs, and mix downs from multi-tracked masters. This approach avoids problems of analog recording tape such as tape hiss (high frequency noise).