Carly Simon - Anticipation (2LP, 45RPM, Numbered Edition) - Audiophile
Carly Simon - Anticipation
Carly Simon - Anticipation (2LP, 45RPM, Numbered Edition) - Audiophile
Carly Simon - Anticipation

Carly Simon - Anticipation (2LP, 45RPM)

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Carly Simon – Vocals, pianos, acoustic guitar [click here to see more vinyl featuring Carly Simon]

Acoustic Bass – John Ryan

Acoustic Guitar, Electric Guitar, Electric Bass – Jim Ryan

Percussion – Andy Newmark

Piano – Paul Glanz

Written by Carly Simon (A1 to D2), Jacob Brackman (B2, C1-2), Jimmy Ryan (B3), Paul Glanz (B3), Kris Kristofferson (D3)

 

 

2 LPs, Gatefold jacket

Limited to 3,000 numbered copies

Original analog Master tape : YES

Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 45 RPM

Size : 12”

Stereo

Studio

Record Press : Fidelity Record Pressing

Label : MOFI

Original Label : Elektra

Recorded Late Summer 1971 at Morgan Studios, London, England

Engineered by Michael Bobak

Produced by Paul Samwell-Smith

Originally released in November 1971

Reissued in 2026

 

 

Tracks:

Side A:

  1. Anticipation
  2. Legend in Your Own Time

Side B:

  1. Our First Day Together
  2. The Girl You Think You See
  3. Summer’s Coming Around Again

Side C:

  1. Share the End
  2. The Garden

Side D:

  1. Three Days
  2. Julie Through the Glass
  3. I’ve Got to Have You

 

 

Reviews :

« In 1975, Elektra UK reissued Carly Simon's first two albums as a double-LP twofer. "That's The Way I've Always Heard It Should Be," the lead-off track of the first album, in which the singer expresses reservations about getting married, benefitted from a sense of role reversal--it's such a guy sentiment, but sung by a woman, came across as a feminist statement. Nothing on the rest of the first album was quite as pointed, though the other songs maintained the same ambivalence toward romance. The one other standout track, "Dan, My Fling," in which the singer tries to rekindle a relationship with a man she has discarded, was, like the single, co-written by Jacob Brackman (in this case, with Fred Gardner, not Simon), suggesting that the real creative talent here was him and not her (especially since the writing credits also featured another four names). And since Simon, with her plaintive, proper, and relatively inexpressive voice, was such an unremarkable performer, her debut seemed inauspicious. But her second album found her extending the gutsy persona she had established on her first, notably on "Anticipation," "Legend In Your Own Time," and "I've Got To Have You." The last especially suggested a frankly passionate person whose vulnerability was a source of strength, not weakness, a valuable feminist trait Simon pursued in her later work. » AllMusic Review by William Ruhlmann

 


Ratings
:

AllMusic : 3 / 5 ; Discogs : 3.94 / 5


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