The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)
The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)
The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)
The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)
The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)
The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)
The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)
The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)

The Doobie Brothers - Southbound (Translucent Gold Swirl vinyl)

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Tom Johnston - lead vocals (A2, A4, A5, B3, B7), electric guitar (A2, A4, A5, B1, B3, B7), backing vocals (A1-2, A4-6, B1, B3-4, B7), guitar solo and acoustic guitar (B7)

Patrick Simmons - lead vocals (A1), lead guitar (A2), acoustic guitar (A1, B4, B6, B7), backing vocals (A1-2, A4-6, B1-4, B7)

John McFee - electric guitar (B1, B3), banjo (A2, B7), autoharp (A1), fiddle (A4), guitar solo (A6), steel guitar solo (B4), slide resonator guitar (B6), backing vocals (A1-2, A4-6, B1-3, B7)

Michael McDonald - lead vocals, keyboards (A3, A6, B5), backing vocals (A1–3, A6, B1–2, B5)

 

1 LP, Gatefold Cover & Poster

Original analog Master tape : YES

Heavy Press : 180g

Record color : Red & Orange Vinyl

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : RTI

Label : Friday Music

Original Label : Arista Nashville

Recorded at Starstruck Studios

Engineered & mixed by Justin Niebank

Produced by David Lyndon Huff

Remastered by Joe Reagoso

Originally released in 2014

Reissued in 2018

 

Tracks:

Side A :

1 Black Water (with Zac Brown Band)
2 Listen To The Music (with Blake Shelton and Hunter Hayes on guitar)
3 What A Fool Believes (with Sara Evans)
4 Long Train Runnin' (with Toby Keith and Huey Lewis on harmonica)
5 China Grove (with Chris Young)
6 Takin' It To The Streets (with Love And Theft)

 

Side B :

1 Jesus Is Just Alright (with Casey James)
2 Rockin' Down The Highway (with Brad Paisley)
3 Take Me In Your Arms (Rock Me) (with Tyler Farr)
4 South City Midnight Lady (with Jerrod Neimann)
5 You Belong To Me (with Amanda Sudano Ramirez of the band Johnnyswim and Vince Gill on guitar)
6 Nobody Intro
7 Nobody (with Charlie Worsham)

 

Reviews :

"A throwback to the golden age of star-studded tributes, the Doobie Brothers' 2014 Southbound essentially follows the same playbook as the Beach Boys' 1996 album Stars and Stripes, Vol. 1: team up a classic rock band with a bunch of contemporary country stars to sing the hits everybody knows and loves. Where Stars and Stripes, Vol. 1 was an uneasy fit -- the Beach Boys are many things but a country band is not one of them -- Southbound feels smooth and natural, possibly because nobody involved dared to mess much with the original arrangements, a move that underscores how this is very much a record where singers are sitting in with the Doobies and not the other way around. Whenever there's a flash of modernization, it is minimal, as on the light decorative rhythmic loops and mandolin samples on "Listen to the Music," where Blake Shelton takes co-lead with Tom Johnston as Hunter Hayes lays down some beefy guitar. Johnston and Patrick Simmons dominate Southbound because their songs lend themselves better to country singers; they're either driving rockers or backwoods-inflected boogie, settings that are comfortable for neo-jam bands (Zac Brown Band, "Black Water"), swaggering cowboys (Toby Keith, "Long Train Runnin'" and Chris Young, "China Grove"), modern-day strummers (Jerrod Niemann, "South City Midnight Lady"), and arena country heroes (Brad Paisley, "Rockin' Down the Highway"). That said, the three Michael McDonald tunes -- "What a Fool Believes" (Sara Evans), "Takin' It to the Streets" (Love and Theft), "You Belong to Me" (Amanda Sudano Ramirez, featuring Vince Gill on guitar) -- all feel at home because this is a Doobie Brothers album, after all, and they've long ago found a way to reconcile the two sides of their musical personality. If there isn't much reinvention to be found on Southbound, that's fine: the record was meant as an open-hearted celebration of the Doobies' biggest hits and that's precisely what it delivers." AllMusic Review by Stephen Thomas Erlewine

 

Ratings :

AllMusic : 3 / 5 , Discogs : 4,6 / 5

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