Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)
Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)

Bob Dylan - Desire (Hybrid SACD, Ultradisc UHR)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

Bob Dylan – vocals, rhythm guitar, harmonica, piano on "Isis"  [click here to see more vinyl featuring Bob Dylan]

Scarlet Rivera – violin 

Emmylou Harris – background vocals

Rob Stoner – bass guitar, background vocals

Howard Wyeth – drums, piano

Dominic Cortese – accordion, mandolin

Vinnie Bell – bouzouki

Luther Rix – congas on "Hurricane"

Ronee Blakley – background vocals on "Hurricane"

Steven Soles – background vocals on "Hurricane"

Eric Clapton – guitar on "Romance In Durango"

 

1 SACD, gatefold jacket with a 12-page booklet

Limited  numbered edition

Original analog Master tape : YES

Stereo

Studio

Label : MOFI

Original Label : Columbia

Recorded July 28–31, August 11 and October 24, 1975 by Lou Waxman

Engineered by Don Meehan

Produced by Don DeVito

Mastered by Shawn R. Britton assisted by Rob LoVerde at Mobile Fidelity Sound Lab

Originally released in 1976

Reissued in November 2013

 

Tracks:

  1. Hurricane
  2. Isis
  3. Mozambique
  4. One More Cup of Coffee (Valley Below)
  5. Oh, Sister
  6. Joey
  7. Romance in Durango
  8. Black Diamond Bay
  9. Sara


Awards:

Rolling Stone 500 greatest albums of all time - Ranked 174

 

Reviews :

"If Blood on the Tracks was an unapologetically intimate affair, Desire is unwieldy and messy, the deliberate work of a collective. And while Bob Dylan directly addresses his crumbling relationship with his wife, Sara, on the final track, Desire is hardly as personal as its predecessor, finding Dylan returning to topical songwriting and folk tales for the core of the record. It's all over the map, as far as songwriting goes, and so is it musically, capturing Dylan at the beginning of the Rolling Thunder Revue era, which was more notable for its chaos than its music. And, so it's only fitting that Desire fits that description as well, as it careens between surging folk-rock, Mideastern dirges, skipping pop, and epic narratives. It's little surprise that Desire doesn't quite gel, yet it retains its own character -- really, there's no other place where Dylan tried as many different styles, as many weird detours, as he does here. And, there's something to be said for its rambling, sprawling character, which has a charm of its own. Even so, the record would have been assisted by a more consistent set of songs; there are some masterpieces here, though: "Hurricane" is the best-known, but the effervescent "Mozambique" is Dylan at his breeziest, "Sara" at his most nakedly emotional, and "Isis" is one of his very best songs of the '70s, a hypnotic, contemporized spin on a classic fable. This may not add up to a masterpiece, but it does result in one of his most fascinating records of the '70s and '80s -- more intriguing, lyrically and musically, than most of his latter-day affairs." AllMusic Review by Stephen Thomas Erlewine


Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.

 

Ratings :

AllMusic : 4.5 / 5 , Discogs : 4.38 / 5

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