Eddie Henderson - So What (Japanese edition)
Regular price
€79,00
Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Average shipping time : 2 to 4 working days. Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union
Trumpet, Flugelhorn – Eddie Henderson [click here to see more vinyl featuring Eddie Henderson]
Bass – Ed Howard
Piano – David Kikoski
Saxophone – Bob Berg
Drums – Billy Hart (A1, B1), Victor Lewis (A2-3, B2-3)
Written by Wayne Shorter (A1, B3), Ned Washington (N2), Willard Robinson (A3), Miles Davis (B1), Frank Churchill (B2)
1 LP, standard sleeve
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Studio
Record Press : unspecified
Label : Eighty-Eight's
Original Label : Eighty-Eight's
Recorded at Avatar Studio, New York City on March 13th & 14th, 2002
Recorded by David Baker
Produced by Yasohachi "88" Itoh
Mastered by Tohru Kotetsu at JVC Mastering Centre
Originally released in 2002
Tracks:
Side A:
- Prince Of Darkness
- On Green Dolphin Street
- Old Folks
Side B:
- So What
- Someday My Prince Will ComE
- Footprints
Reviews:
“Eddie Henderson's Columbia debut places him in the context of a classic series of modern compositions, from Wayne Shorter's modal masterpiece "Prince Of Darkness," and "Footprints," to his read of his mentor Miles Davis' "So What," and "All Blues," and, a pair of Monk numbers, as well "Round Midnight," and "Well, You Needn't." The band assembled for this date is more than up to the challenge. Drummers Billy Hart and Victor Lewis, pianist Dave Kikoski, bassist Ed Howard, and the inimitable Bob Berg on tenor, accompany Henderson's trumpet and flugelhorn with requisite heat and polish. Henderson's arrangements work better on the more adventurous tunes: on the Shorter and Miles cuts, Henderson's more aggressive and looser, allowing his band to stretch those tunes to the margins. His ultra-modernization of "On Green Dolphin Street," sounds like he's trying to update Miles' particular read of the composition, rather than just take a new look at it for its own merit. He does likewise with "Someday My Prince Will Come," and D.L. Hill's "Old Folks." He turns in stellar versions of the Monk tunes, with interesting and angular rhythmic turns in them along the changes. This is a solid date for Henderson, who doesn't record nearly often enough.” AllMusic Review by Thom Jurek
Ratings :
AllMusic : 4 / 5 ; Discogs : 4 / 5