Bach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Box set, Mono)
Bach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Box set, Mono)
Bach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Box set, Mono)
Bach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Box set, Mono)
Bach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Box set, Mono)
Bach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Box set, Mono)

Bach - Three Sonatas and Three Partitas For Unaccompanied Violin - Emil Talmanyi (3LP, Box set, Mono)

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Johann Sebastian Bach - Sonata No. 1 in G minor, Partita No. 1 in B minor, Sonata No. 2 in A minor, Partita No. 2 in D minor, Sonata No. 3 in C Major, Partita No. 3 in E Major

Emil Telmanyi - violin (using the Vega Bach Bow)

 

3 LPs, Box Set

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Mono

Studio

Record Press : Pallas

Label : Analogphonic

Original Label : London Records

Recorded in November 1953 and April 1954 at West Hampested Studios

Remastered by Rainer Maillard at Emil Berliner Studios

Originally released in 1954

Reissued in 2019

 

Tracks:

Side A : Sonata No. 1 in G minor

  1. Adagio
  2. Fuga. Allegro
  3. Sicilana
  4. Presto

Side B : Partita No. 1 in B minor

  1. Allemanda
  2. Double
  3. Corrente
  4. Double. Presto
  5. Sarabanda
  6. Double
  7. Tempo Di Borea
  8. Double

Side C : Sonata No. 2 in A minor

  1. Grave
  2. Fuga
  3. Andante
  4. Allegro

Side D : Partita No. 2 in D minor

  1. Allemanda
  2. Corrente
  3. Sarabanda
  4. Giga
  5. Ciaccona

Side E: Sonata No. 3 in C Major

  1. Adagio
  2. Fuga
  3. Largo
  4. Allegro Assai

Side F : Partita No. 3 in E Major

  1. Preludio
  2. Loure
  3. Gavotte En Rondeau
  4. Menuet I
  5. Menuet II - Menuet I Da Capo
  6. Bourrée
  7. Gigue

 

Reviews:

“There are at least three major virtues: the recording and surfaces are faultless, Telmányi's performances range from good to superlative, and a most interesting endeavour has been made to approximate to the instrument Bach had in mind when originally writing the works... Broadly, then, the effect of the bow is to make the audible music correspond much more closely to its appearance on paper; and the works really do, in the places concerned, take on a new lease of life. But Telmányi goes beyond just demonstrating the new bow; he has mastered it and made it his servant. And he uses it to give wonderful performances of the exhaustingly difficult works. Telmányi, again following the shape of his bow, presents it (Chaconne) as an enormous arch; it is wholly satisfying.” Gramophone

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