Led Zeppelin – Presence
Led Zeppelin – Presence
Led Zeppelin – Presence
Led Zeppelin – Presence
Led Zeppelin – Presence
Led Zeppelin – Presence
Led Zeppelin – Presence
Led Zeppelin – Presence

Led Zeppelin – Presence (Japanese edition)

€169,00
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RARITY - SEALED

Led Zeppelin

  • John Bonham – drums
  • John Paul Jones – bass
  • Jimmy Page – guitars, production
  • Robert Plant – vocals, harmonica

Written by Robert Plant (A1-2, B1-4), John Bonham (A3), John Paul Jones (A3)


 

1 LP, Gatefold jacket 

Original analog Master Tape : YES

Heavy Press : 180g

Record Color : Black

Speed : 33 RPM

Size : 12’’

Stereo

Studio

Record press: unspecified (Japan) 

Label: Atlantic - Led Zeppelin Analog Series

Original Label : Swan Song

Recorded in November 1975 at Musicland Studio, Munich, West Germany

Recorded by Keith Hardwood, Jeremy Gee

Mixed by Keith Hardwood at Musicland Studios

Produced by Jimmy Page

Executive-Producer – Peter Grant

Design by George Hardie

Sleeve by Hardie, Hipgnosis

Photography by Aubrey Powell, Peter Christopherson, Richard Manning

Originally released in March 1976

Reissued in 1992

 

 

Tracks:

Side A:

  1. Achilles Last Stand
  2. For Your Life
  3. Royal Orleans

Side B:

  1. Nobody's Fault But Mine
  2. Candy Store Rock
  3. Hots On For Nowhere
  4. Tea For One


 

Awards:

Album ranked No. 11 on Rolling Stone's list of the Top 50 Albums of 2007

The song "Gunslinger" was ranked No. 12 Rolling Stone's list of the 100 Best Songs of 2007

 

 

Reviews :

“Created at a time of intense turmoil for Led Zeppelin -- they scrapped a planned international tour in the wake of Robert Plant's car accident in Greece in August 1975 -- Presence is a strange, misshapen beast of a record that pulls upon its own tension. With Plant somewhat on the sidelines -- he recorded many of the vocals while in a wheelchair -- Jimmy Page reasserted himself as the primary creative force in the band, helping steer Presence toward a guitar-heavy complexity, perched halfway between a return to roots and unfettered prog. This dichotomy means it feels like Presence sprawls as wildly as Physical Graffiti even though it's half its length: the four epics tend to overshadow the trio of lean rockers that really do hark back to the Chess boogie and rockabilly that informed Zeppelin's earliest work. Each of these three -- "Royal Orleans," "Candy Store Rock," "Hots on for Nowhere" -- plays as snappily as the throwaways on the second half of Physical Graffiti, containing a sexy insouciance; the band almost seems to shrug off how catchy Page's riffs and how thick the grooves of John Bonham and John Paul Jones actually are. No matter how much fun this triptych is, they're lost underneath the shadow of "Achilles Last Stand," a ten-minute exercise in self-styled moody majesty and the turgid blues crawl of closer "Tea for One." In between, there are two unalloyed masterpieces that channel all of the pain of the period into cinematic drama: a molten blues called "Nobody's Fault But Mine" and "For Your Life," as sharp, cinematic, and pained as Zeppelin ever were. Added together, Presence winds up as something less than the sum of its parts but its imbalance also means that it's a record worth revisiting; it seems different upon each revisit and is always compelling.” AllMusic Review by Stephen Thomas Erlewine



 

Ratings :

AllMusic: 3.5 / 5 ; Discogs: 4.24 / 5


 

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