Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)
Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)

Eagles – One Of These Nights (Hybrid SACD, Ultradisc UHR)

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ORDER LIMITED TO ONE ITEM PER CUSTOMER

[click here to see more vinyl featuring Eagles]

Glenn Frey – vocals, guitars, piano, electric piano, harmonium

Don Henley – vocals, drums, percussion, tabla

Bernie Leadon – vocals, guitars, banjo, mandolin, pedal steel

Randy Meisner – vocals, bass guitar

Don Felder – vocals, guitars, slide guitar

David Bromberg – fiddles ("Journey of the Sorcerer")

The Royal Martian Orchestra – strings ("Journey of the Sorcerer")

Albhy Galuten – synthesizer ("Hollywood Waltz")

Jim Ed Norman – piano ("Lyin' Eyes", "Take It to the Limit"), orchestrations, conductor, string arrangements

Sid Sharp – concert master

The Eagles – string arrangements


 

1 SACD, gatefold jacket

Limited  numbered edition

Original analog Master tape : YES

Stereo

Studio

Label : MOFI

Original Label : Asylum Records

Recorded 1974–1975 at Mac Emmerman's Criteria Studios, Miami and Record Plant, Los Angeles

Engineered by Allan Blazek, Don Wood, Ed Mashal, Michael Braunstein, Michael Verdick

Produced by Bill Szymczyk

Mastered by Rob LoVerde

Glass master made at Sony DADC

Originally released in 1975

Reissued in July 2022

 

Tracks:

  1. One Of These Nights
  2. Too Many Hands
  3. Hollywood Waltz
  4. Journey Of The Sorcerer
  5. Lyin' Eyes
  6. Take It To The Limit
  7. Visions
  8. After The Thrill Is Gone
  9. I Wish You Peace

     

    Awards :

    Grammy Award for "Lyin' Eyes"

      

    Reviews:

    “The Eagles recorded their albums relatively quickly in their first years of existence, their LPs succeeding each other by less than a year. One of These Nights, their fourth album, was released in June 1975, more than 14 months after its predecessor. Anticipation had been heightened by the belated chart-topping success of the third album's "The Best of My Love"; taking a little more time, the band generated more original material, and that material was more polished. More than ever, the Eagles seemed to be a vehicle for Don Henley (six co-writing credits) and Glenn Frey (five), but at the same time, Randy Meisner was more audible than ever, his two lead vocals including one of the album's three hit singles, "Take It to the Limit," and Bernie Leadon had two showcases, among them the cosmic-cowboy instrumental "Journey of the Sorcerer" (later used as the theme music for the British television series The Hitchhiker's Guide to the Galaxy). Nevertheless, it was the team of Henley and Frey that stood out, starting with the title track, a number one single, which had more of an R&B -- even a disco -- sound than anything the band had attempted previously, and continuing through the ersatz Western swing of "Hollywood Waltz" to "Lyin' Eyes," one of Frey's patented folk-rock shuffles, which became another major hit. One of These Nights was the culmination of the blend of rock, country, and folk styles the Eagles had been making since their start; there wasn't much that was new, just the same sorts of things done better than they had been before. In particular, a lyrical stance -- knowing and disillusioned, but desperately hopeful -- had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles' best-realized and most popular album so far.” One of These Nights Review by William Ruhlmann

     

    Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.


    Ratings :

    AllMusic : 4 / 5 , Discogs : 4.65 / 5

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