Miles Davis - E.S.P. (Hybrid SACD, Ultradisc UHR)
Regular price
€45,00
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Average shipping time : 2 to 4 working days. Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Miles Davis – trumpet [click here to see more vinyl featuring Miles Davis]
Wayne Shorter – tenor saxophone [click here to see more vinyl featuring Wayne Shorter]
Herbie Hancock – piano [click here to see more vinyl featuring Herbie Hancock]
Ron Carter – bass [click here to see more vinyl featuring Ron Carter]
Tony Williams – drums
1 SACD, gatefold jacket
Numbered limited edition
Original analog Master tape : YES
Stereo
Studio
Label : MOFI
Original Label : Columbia
Recorded January 20–22, 1965 at Columbia Studios, Hollywood
Produced by Irving Townsend
Mastered by Rob LoVerde at Mobile Fidelity Sound Lab, Sebastopol, CA on The Gain 2 System™
Manufactured by Sony Music Entertainment
Glass master manufactured at Sony DADC
Originally released in 1965
Reissued in May 2016
Tracks:
- E.S.P.
- Eighty-One
- Little One
- R.J.
- Agitation
- Iris
- Mood
Reviews :
"ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet -- saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams -- gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories -- a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality -- they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant. On ESP, they tilt a bit toward conventional hard bop (something that's apparent toward the end of the record), largely because this is their first effort, but the fact is, this difference between this album and hard bop from the early '60s is remarkable. This is exploratory music, whether it's rushing by in a flurry of notes or elegantly reclining in Hancock's calm yet complex chords. The compositions are brilliantly structured as well, encouraging such free-form exploration with their elliptical yet memorable themes. This quintet may have cut more adventurous records, but ESP remains one of their very best albums." AllMusic Review by Stephen Thomas Erlewine
Ultra High-Resolution (UHR) is a dual-layer hybrid SACD recorded with Direct Stream Digital Technology at a sampling rate of 11.2 MHZ and a frequency response of DC to 100KHz. In addition, a high-precision down-conversion is utilized for the CD layer (16bit/44.1kHz) to preserve the sonic integrity of the original DSD capture. The result: State-of-the-art sound on any machine that can play either standard compact discs or SACDs.
Ratings :
AllMusic : 4.5 / 5 , Discogs : 4.67 / 5