Wynton Marsalis – Black Codes (From The Underground) - AUDIOPHILE
Wynton Marsalis – Black Codes (From The Underground) - AUDIOPHILE
Wynton Marsalis – Black Codes (From The Underground) - AUDIOPHILE
Wynton Marsalis – Black Codes (From The Underground) - AUDIOPHILE
Wynton Marsalis – Black Codes (From The Underground) - AUDIOPHILE
Wynton Marsalis – Black Codes (From The Underground) - AUDIOPHILE

Wynton Marsalis – Black Codes (From The Underground)

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RARITY - SEALED 

Soprano Saxophone, Tenor Saxophone – Branford Marsalis

Trumpet – Wynton Marsalis

Bass – Charnett Moffett, Ron Carter (B2)

Drums – Jeff (Tain) Watts

Piano – Kenny Kirkland

Written by Wynton Marsalis (A1 to B2, B4), Kenny Kirkland (B3)



 

1 LP, Gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press :  GZ Media

Label :  Vinyl Me Please - Classics Series

Original Label :  Columbia

Recorded on January 7–11, 14, 1985 at RCA Studios, New York

Engineered byTim Geelan

Remixed by Tim Geelan

Produced by Steve Epstein, George Butler

Executive-Producer – George Butler

Mastered by Vlado Meller at CBS Studios, New York

Lacquer cut by Ryan Smith by Sterling Sound

Art Direction by Mark Larson

Booklet by Natalie Weiner

Liner Notes by Stanley Crouch

Photography by Gary Heery


Originally released in June 1985

Reissued in August 2023

 

 


Tracks :

Side A:

  1. Black Codes
  2. For Wee Folks
  3. Delfeayo's Dilemma

Side B:

  1. Phryzzinian Man
  2. Aural Oasis
  3. Chambers Of Tain
  4. Blues



Awards:

1986 Grammy Awards :

  • Best Instrumental Jazz Performance, Individual or Group
  • Best Jazz Instrumental Performance, Soloist

 

 

Reviews :

“This is probably the best Wynton Marsalis recording from his Miles Davis period. With his brother Branford (who doubles here on tenor and soprano) often closely emulating Wayne Shorter and the rhythm section (pianist Kenny Kirkland, bassist Charnett Moffett, and drummer Jeff Watts) sounding a bit like the famous Herbie Hancock-Ron Carter-Tony Williams trio, Wynton is heard at the head of what was essentially an updated version of the mid- to late-'60s Miles Davis Quintet (despite Stanley Crouch's pronouncements in his typically absurd liner notes about Marsalis' individuality). The music is brilliantly played and displays what the "Young Lions" movement was really about: young musicians choosing to explore acoustic jazz and to extend the innovations of the pre-fusion modern mainstream style. Marsalis would develop his own sound a few years later, but even at age 23 he had few close competitors.” AllMusic Review by Scott Yanow

 

Ratings:

AllMusic : 5 / 5 , Discogs : 4.3 / 5

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