John & Yoko / Plastic Ono Band – Some Time In New York City (2CD, Japanese Edition)
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Plastic Ono Band:
- Vocals, Guitar – John Lennon [click here to see more products featuring John Lennon]
- Vocals – Yoko Ono
- Vocals, Percussion – Bonnie Bramlett (2.1, 2.2)
- Bass – Klaus Voorman (2.1, 2.2)
- Drums – Alan White (2.1, 2.2), Jim Keltner (1.1 to 1.10), Keith Moon (2.1, 2.2)
- Electric Piano – Nicky Hopkins (2.1, 2.2)
- Guitar – Delaney Bramlett (2.1, 2.2), Eric Clapton (2.1, 2.2), George Harrison (2.1, 2.2)
- Saxophone – Bobby Keys (2.1, 2.2)
Trumpet – Jim Price (2.1, 2.2)
Drums – Jim Gordon (2.1, 2.2),
2 CDs, Paper Sleeve with OBI
Limited edition
Original analog Master tape : YES
Stereo
Studio & Live
Label : Apple Records
Original Label : Apple Records
Recorded:
- between December 1971 and March 1972 at Record Plant East, New York City
- on 15 December 1969 at the Lyceum Ballroom in London
- on 6 June 1971 at Fillmore East in New York City.
Produced by John Lennon and Yoko Ono , Phil Spector (1.1 to 1.10)
Originally released in 1972
Reissued in 2007
Tracks:
CD 1 : Some Time In New York City
1. Woman Is The Nigger Of The World
2. Sisters O Sisters
3. Attica State
4. Born In A Prison
5. New York City
6. Sunday Bloody Sunday
7. The Luck Of The Irish
8. John Sinclair
9. Angela
10. We’re All Water
CD 2 : Live Jam
11. Cold Turkey (Mono)
12. Don’t Worry Kyoko (Mono)
13. Well (Baby, Please Don’t Go)
14. Jamrag
15. Scumbag
16. Au
Awards :
Grammy Award for "Heartache Tonight"
Reviews :
“Three years in the making (which was considered an eternity in the '70s), the Eagles' follow-up to the massively successful, critically acclaimed Hotel California was a major disappointment, even though it sold several million copies and threw off three hit singles. Those singles, in fact, provide some insight into the record. "Heartache Tonight" was an old-fashioned rock & roll song sung by Glenn Frey, while "I Can't Tell You Why" was a delicate ballad by Timothy B. Schmit, the band's newest member. Only "The Long Run," a conventional pop/rock tune with a Stax Records R&B flavor, bore the stamp and vocal signature of Don Henley, who had largely taken the reins of the band on Hotel California. Henley also dominated The Long Run, getting co-writing credits on nine of the ten songs, singing five lead vocals, and sharing another two with Frey. This time around, however, Henley's contributions were for the most part painfully slight. Only "The Long Run" and the regret-filled closing song, "The Sad Café," showed any of his usual craftsmanship. The album was dominated by second-rank songs like "The Disco Strangler," "King of Hollywood," and "Teenage Jail" that sounded like they couldn't have taken three hours much less three years to come up with. (Joe Walsh's "In the City" was up to his usual standard, but it may not even have been an Eagles recording, having appeared months earlier on the soundtrack to The Warriors, where it was credited as a Walsh solo track.) Amazingly, The Long Run reportedly was planned as a double album before being truncated to a single disc. If these were the keepers, what could the rejects have sounded like?” AllMusic Review by William Ruhlmann
Ratings :
AllMusic : 3 / 5 , Discogs : 3.36 / 5