Stan Getz With Guest Artist Laurindo Almeida
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€150,00
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RARITY Sealed
Stan Getz - tenor saxophone
Laurindo Almeida - guitar
George Duvivier - bass
Dave Bailey, Edison Machado, Jose Soorez - drums
Steve Kuhn - piano (A1, B3)
José Paulo, Luiz Parga - latin percussion (B3)
Written by Luiz Antonio (A1), Antoni Carlos Jobim (A2), Laurindo Almeida (A3, B1-3), Portia Nelson (A3), Jeanne Taylor (B1), Stan Getz (B3)
1 LP, Gatefold jacket
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12”
Stereo
Studio
Record Press : Pallas
Label : Speakers Corner
Original Label : Verve
Recorded March 21–22, 1963 at Webster Hall, New York City
Engineered by Val Valentin
Produced by Creed Taylor
Lacquer cut by Kevin Gray at AcousTech Mastering
Mastered at Record Technology Incorporated
Cover Art by Alberta Hutchinson-Akm
Design by Acy R. Lehman
Liner Notes by James T. Maher
Originally released in November 1966
Reissued in December 2007
Tracks:
Side A:
- Minica Moca (Young Lady)
- Once Again (Outra Vez)
- Winter Moon
Side B:
- Do What You Do, Do
- Samba Da Sahra (Sahra's Samba)
- Maracatu-Too
Reviews :
“Three weeks after completing his meeting with Luiz Bonfá and only two days after the epochal Getz/Gilberto sessions, Stan Getz was back in the studio recording more bossa nova. Producer Creed Taylor was obviously striking while the iron was hot, getting in as many Brazilian sessions as he could, yet the quality of the music-making remained consistently marvelous. Continuing his practice of running through one star guitarist after another, this time Getz has Laurindo Almeida as the designated rhythm man, featured composer, and solo foil. The rhythm section is an authentically swinging mixture of American sidemen (including Steve Kuhn on piano and George Duvivier on bass) and Brazilian percussionists. Almeida didn't like to improvise, so his solos stay close to the tunes, inflected with a perfectly matched feeling for the groove along with classical poise. Jobim's "Outra Vez" is a particularly lovely example of Getz's freedom and effortless lyricism contrasted against Almeida's anchored embroidering. Sessions like these might have been seen as cashing in on the boom at the time, yet in the long view, one should be thankful that these musicians were recording so much cherishable material.” AllMusic Review by Richard S. Ginell
Ratings :
AllMusic : 4.5 / 5 , Discogs : 4.32 / 5