Stan Getz & Astrud Gilberto – Live At The Berlin Jazz Festival 1966 (2LP, Mono, Box set, Sapphire Edition, Clear vinyl, 200g)
Regular price
€118,00
Shipping calculated at checkout.
WE CANNOT COMMIT ON A DELIVERY DATE FOR PRE-ORDER VINYL & CD/SACD
It may take a few months for Labels to issue pre-order vinyl & CD/SACD
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union above 99€ purchase up to 50kg, except for pre-owned products and specific territories. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Tenor saxophone - Stan Getz [click here to see more vinyl featuring Stan Getz]
Vocals - Astrud Gilberto [click here to see more vinyl featuring Joao Gilberto]
Drums - Roy Haynes [click here to see more vinyl featuring Roy Haynes]
Vibraphone - Gary Burton
Bass - Chuck Israels
Written by Bronislau Kaper (A1), Gary Barton (A2), Johnny Mandel (A3, C3), Antonio Carlos Jobim (A4, B3, C2, D2), Lou Donaldson (B1), Michel Legrand (B2), Richard Rodgers (C1, D1), Newton Mendonça (C2), Paul Francis Webster (C3), Carlos Lyra (C4), Vinicius de Moraes (C4), Astrud Gilberto (C6), Roberto Menescal (C6), Oscar Hammerstein II (D1), Richard Rodgers (D1), Vinicius de Moraes (D2), Bob Brookmeyer (D3)
2LP, Box-set, Tip-on Gatefold jacket printed in Italy
Limited to 4,000 numbered copies
Original analog Master tape : YES
Heavy Press : 200g
Record color : clear
Speed : 33RPM
Size : 12'’
Stereo
Live
Record Press : Simon Garcia, Marciac, France
Label : The Lost Recordings
Original label : The Lost Recordings
Recorded at the Berlin Philharmonie, Berlin Jazz festival, 4.11.1966
Remastered by Nicolas Thelliez
Lacquer cut by Kevin Gray
Artwork by Nicolas Dhorne
Liner Notes by Stéphane Ollivier
Photography by GAB Archives, Jan Persson, PoPsie Randolph
Originally released in September 2021 (as a CD)
Reissued in 2026
Tracks:
Side A:
- On Green Dolphin Street
- The Singing Song
- The Shadow of Your Smile
- O Great Love
Side B:
- Blues Walk
- Once upon a Summertime
- Medley: Desafinado/Chega De Saudade
Side C:
- Edelweiss
- Samba De Uma Nota So
- The Shadow of Your Smile
- Voce E Eu (Eu E Voce)
- Corcovado
- The Telephone Song
Side D:
- It Might as Well Be Spring
- The Girl from Ipanema
- Jive Hoot
Sapphire Edition® pushes the boundaries of audio media. It is the pinnacle of our latest innovations in restoration and manufacturing processes, without any constraints or compromises, thus delivering an unprecedented musical experience:
- New Master: Achieved with our latest equipment and expertise
- New Electroplating : New mirror-polished stamper. Each presses no more than 500 copies
- New 100% virgin Ultra-clear compound : Ensures the highest possible purity
- New pressing cycle: Allows perfect record flatness
- Absolute quality control: Each copy is carefully selected and guaranteed pristine
Reviews :
"This previously unissued concert by the Getz quartet with Gary Burton divides into what are in effect two distinctly different performances. The first comprises the band’s dazzlingly accomplished instrumental work, whereas the second displays the best-selling Getz-Gilberto recording partnership in a live setting. The opening ‘On Green Dolphin Street’ prefigures everything the quartet is capable of. Getz’s solos ripple with invention, the vibes offer impressionistic backdrops, incisive countermelodies, sparkling solos, or even drop out entirely, while the partnership of Haynes on blistering form, and Israels (depping for Steve Swallow) are clearly enjoying just making everything swing as hard as possible. Haynes’ snare playing is a marvel. This instrumental set includes Burton’s knotty ‘Singing Song’, a haunting ‘Shadow of Your Smile’ and for good measure a 12-bar – namely Lou Donaldson’s ‘Blues Walk’. It’s impossible not to get caught up in the joie de vivre of this tight-knit band, and captured by its infectious rhythm. A Jobim medley closes the first set, and then we’re into bossa territory with Astrud singing ‘One Note Samba’. It takes a moment for the band to settle into her gentler format, but they soon do, and Getz manages to be both contained and extrovert at the same time, even maintaining the sound balance when the singer strays off mike. When she gets to ‘Corcovado’ everything is working as it should, but before the inevitable ‘Girl From Ipanema’, Gilberto shows her range with the quirky ‘Telephone Song’ and a compelling ‘It Might as Well Be Spring’, not to mention a brief vocal reprise of ‘Shadow of Your Smile’.
Altogether a thoroughly welcome discovery, beautifully mastered, and as welcome an addition to the newly-emerging Getz catalogue as the 1961 Village Gate concert that appeared two years ago." Jazz Wize Review by Alyn Shipton
Ratings :
Discogs : 5 / 5