Thelonious Monk – Live At Rotterdam 1967 (2LP)
Regular price
€68,00
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Average shipping time : 2 to 4 working days. Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union
ORDER LIMITED TO ONE ITEM PER CUSTOMER
Thelonius Monk, Piano [click here to see more vinyl featuring Thelonious Monk]
Charlie Rouse, Tenor Sax [click here to see more vinyl featuring Charlie Rouse]
Larry Gales, Bass
Ben Riley, Drums
Clark Terry, Trumpet [click here to see more vinyl featuring Clark Terry]
Ray Copeland, Trumpet
Jimmy Cleveland, Trombone
Phil Woods, Alto Sax [click here to see more vinyl featuring Phil Woods]
Johnny Griffin, Tenor Sax [click here to see more vinyl featuring Johnny Griffin]
2LPs, gatefold jacket
Limited to 999 numbered copies
Limited time album download included
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33RPM
Size : 12'’
Stereo
Live
Record Press : in Germany
Label : The Lost Recordings
Original label : The Lost Recordings
Recorded at Club Doelen in Rotterdam on 28 October 1967
Mastered by André Perriat
First time released in 2018
Tracks:
Side A :
- Ruby, My Dear
- Hackensack
Side B :
- We See
- Epistrophy
Side C :
- Evidence/Epistrophy
- Don't Blame Me
Side D :
- Oska T./Epistrophy
- Blue Monk
Reviews :
When Thelonious Monk took to the stage at Club Doelen in Rotterdam on 28 October 1967, he had just turned 50. 15 years later, he disappeared from musical life, taking refuge for the last 6 years of his life in New York, at Pannonica in Koenigswater, without ever touching the piano again. Surrounded by the two "classics" "Ruby, My Dear" and "Blue Monk", he animates for more than an hour and 20 minutes the quartet of his 3 accomplices, Charlie Rouse, Larry Gales, Ben Riley and their guests. Larry Gales' bass comes out like a box at the end of "Hackensack", the brass rushes into the middle of "We See" and answers each other swirling in the dizzying "Oska". And in the middle of the concert, a solo moment on "Don't Blame Me": everything appears contrasted, twisted, oblique, each note seeming to be astonished by the previous one. Monk first goes around the melody from behind before bringing it back, pure, to the front. Finally they close: "Blue Monk", all in classical restraint.
Ratings :
Discogs : 4.64 / 5