Chet Baker – Plays The Best Of Lerner & Loewe
Chet Baker – Plays The Best Of Lerner & Loewe
Chet Baker – Plays The Best Of Lerner & Loewe
Chet Baker – Plays The Best Of Lerner & Loewe
Out of stock
Chet Baker – Plays The Best Of Lerner & Loewe
Chet Baker – Plays The Best Of Lerner & Loewe
Chet Baker – Plays The Best Of Lerner & Loewe
Chet Baker – Plays The Best Of Lerner & Loewe

Chet Baker – Plays The Best Of Lerner & Loewe

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Trumpet – Chet Baker [click here to see more vinyl featuring Chet Baker]

Flute – Herbie Mann – Flute (A1-4, B3), Tenor Saxophone (B1) [click here to see more vinyl featuring Herbie Mann]

Piano – Bill Evans (A1, B2-4) [click here to see more vinyl featuring Bill Evans]

Tenor saxophone, alto saxophone - Zoot Sims [click here to see more vinyl featuring Zoot Sims]

Baritone Saxophone – Pepper Adams (A1-4, B1, B3-4)

Piano - Bob Corwin (A2-4, B1)

Bass – Earl May

Drums – Clifford Jarvis

Written by Alan Jay Lerner and Frederick Loewe

  

1 LP, standard sleeve

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : Black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Record Technology Incorporated

Label : Craft Recordings

Original label : Riverside Records

Recorded July 21 & 22, 1959 at Reeves Sound Studios, New York City

Engineered by Roy Friedman

Produced by Orrin Keepnews

Originally mastered by Jack Matthews

Remastered by Kevin Gray at Cohearent Audio

Lacquer cut by Kevin Gray at Cohearent Audio

Cover design by Harris Lewine, Ken Braren, Paul Bacon

Photography by Lawrence N. Shustak

Liner Notes by Orrin Keepnews

Originally released in 1959

Reissued in March 2021

 

Tracks:

Side A:

  1. I've Grown Accustomed To Your Face
  2. I Could Have Danced All Night
  3. The Heather On The Hill
  4. On The Street Where You Live

Side B:

  1. Almost Like Being In Love
  2. Thank Heaven For Little Girls
  3. I Talk To The Trees
  4. 4. Show Me

               

              Reviews:

              “This is one of the last Chet Baker (trumpet) long players recorded in the States prior to the artist relocating to Europe in the early '60s. Likewise, the eight-tune collection was the final effort issued during his brief association with the Riverside Records imprint. The project was undoubtedly spurred on by the overwhelming success of the Shelly Manne-led combo that interpreted titles taken from the score to My Fair Lady (1956). In addition to becoming an instant classic, Manne's LP was also among of the best-selling jazz platters of all time. While Baker and crew may have gained their inspiration from Manne, these readings are comparatively understated. That said, the timelessness of the melodies, coupled with the assembled backing aggregate, make Chet Baker Plays the Best of Lerner and Loewe (1959) a memorable concept album. Although Alan Jay Lerner and Frederick Loewe had produced a number of well-received and luminous entries, half of the material on this disc is derived from My Fair Lady (1956). "I've Grown Accustomed to Her Face" is given a languid torch song treatment that spirals around Baker's cool inconspicuous leads, featuring some equally sublime contributions from Zoot Simms (alto sax/tenor sax). This contrasts the resilient and free-spirited waltz on "I Could Have Danced All Night," which benefits from Herbie Mann's (flute) breezy counterpoint and solo. Bill Evans (piano) also lays down some tasty licks over top of the solid rhythm of Earl May (bass) and Clifford Jarvis (drums). "On the Street Where You Live" is a highlight, as the personnel take the time to stretch out and thoroughly examine with some key counterpoint between Baker's honey-toned horn and Pepper Adams' (baritone sax) husky and ample involvement. Of the non-My Fair Lady sides, "The Heather on the Hill" and a superior "Almost Like Being in Love" hail from Brigadoon (1947), while the scintillating and smoldering "Thank Heaven for Little Girls" comes from Gigi (1958). Not to be missed is "I Talk to the Trees," with an unhurried and evenly measured tempo that is coupled to Baker's austere, yet rich and purposeful lines.” AllMusic Review by Lindsay Planer

               

              Ratings :

              AllMusic : 3 / 5 ; Discogs : 4.64 / 5

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