Alexis Cole – A Kiss In The Dark (1Step)
Regular price
€49,00
AVERAGE SHIPPING TIME : 2 TO 4 WORKING DAYS
Delivery time depends on country of delivery
VAT included in price for European Union countries, may be adjusted based on delivery country at check out.
Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : contact@audiosoundmusic.com. No return policy for countries outside of European Union
Alexis Cole - vocal [click here to see more vinyl featuring Alexis Cole]
Saul Rubin – Guitar
Dan Block - Sax and clarinet
Phil Stewart - Drums
Pat O'Leary - Bass
Arranged by Alexis Cole
Written by Gus Kahn (A1), Raymond B. Egan (A1), Richard A. Whiting (A1, B1), Buddy DeSylva (A2, B3), Jerome Kern (A2), Harry D. Kerr (A3), John Cooper (A3), Earl Burtnett (A3), Philip Braham (A4), Fred Fisher (A5), Jimmie Cox (B2), Victor Herbert (B3-4), Al Dubin (B4), J. Keirn Brennan (B5-6), Ernest R. Ball (B5-6)
1 LP, standard sleeve
Limited edition
Original analog Master tape : YES
Heavy Press : 180g
Record color : black
Speed : 33 RPM
Size : 12'’
Stereo
Live
Record Press : unspecified
Label : Chesky Records - Chesky Original Masters Series
Original label : Chesky Records
Recorded on December 19, 2013 at the Hirsch Center in Brooklyn, New York
Recorded by Nicholas Prout
Produced by David Chesky
Executive-Producer – Norman Chesky
Mastered by Nick Prout
Originally released in 2014
Reissued in October 2025
Tracks :
Side A:
1. Ain't We Got Fun
2. Whip-poor-will
3. Do You Ever Think of Me?
4. Limehouse Blues
5. Chicago, That Toddlin' Town
Side B:
1. Bimini Bay
2. Nobody Knows You When You're Down and Out
2. A Kiss in the Dark
3. Indian Summer
4. Turn Back the Universe and Give Me Yesterday
5. Let the Rest of the World Go By
One Step. Instead of utilizing the industry-standard three-step lacquer process, one-step plating uses only one step, bypassing two processes of generational loss. One-step plating skip the regular father-mother process, going right to a single convert and then pressing. Though this dramatically increases mastering and production costs, it also assures each run is more consistent from disc to disc, with less noise, clearer details and deeper bass. Reducing production complexity to just a single "convert" disc between the lacquer and the press greatly improves groove integrity, diminishes non-fill anomalies and increases signal integrity from the master tape to your system.
Ratings:
Discogs : 4.57 / 5