Art Pepper - Meets The Rhythm Section (Contemporary Records - Acoustic Sounds Series)
Art Pepper - Meets The Rhythm Section (Contemporary Records - Acoustic Sounds Series)
Art Pepper - Meets The Rhythm Section (Contemporary Records - Acoustic Sounds Series)
Art Pepper - Meets The Rhythm Section (Contemporary Records - Acoustic Sounds Series)
Art Pepper - Meets The Rhythm Section (Contemporary Records - Acoustic Sounds Series)
Art Pepper - Meets The Rhythm Section (Contemporary Records - Acoustic Sounds Series)

Art Pepper - Meets The Rhythm Section (Contemporary Records - Acoustic Sounds Series)

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Alto Saxophone – Art Pepper [click here to see more vinyl featuring Art Pepper]

Bass – Paul Chambers [click here to see more vinyl featuring Paul Chambers]

Drums – Philly Joe Jones [click here to see more vinyl featuring Philly Joe Jones]

Piano – Red Garland [click here to see more vinyl featuring Red Garland]

 

1 LP, gatefold old-style tip-on jackets

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Quality Record Pressings

Label : Contemporary Records - Acoustic Sounds Series

Original Label : Contemporary Records

Recorded January 19, 1957 at Contemporary's Studio, Los Angeles

Engineered by Roy DuNann

Produced by Lester Koenig

Remastered by Bernie Grundman

Originally released in 1957

Reissued in 2022

 

Tracks:

Side A:

  1. You'd Be So Nice To Come Home To
  2. Red Pepper Blues
  3. Imagination
  4. Waltz Me Blues
  5. Straight Life

Side B:

  1. Jazz Me Blues
  2. Tin Tin Deo
  3. Star Eyes
  4. Birks Works

       

       

      Reviews :

      “By the time of this, Art Pepper's tenth recording as a leader, he was making his individual voice on the alto saxophone leave the cozy confines of his heroes Charlie Parker and Lee Konitz. Joining the Miles Davis rhythm section of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones made the transformation all that more illuminating. It's a classic east meets west, cool plus hot but never lukewarm combination that provides many bright moments for the quartet during this exceptional date from that great year in music, 1957. A bit of a flip, loosened but precise interpretation of the melody on "You'd Be So Nice to Come Home To" gets the ball rolling, followed by a "Bags Groove" parallel with "Red Pepper Blues," and a delicate, atypical treatment of "Imagination." A compositional collaboration of Pepper and Chambers on the quick "Waltz Me Blues" and hard-edged, running-as-fast-as-he-can take of "Straight Life" really sets the gears whirring. Philly Joe Jones is a great bop drummer, no doubt, one of the all-time greats with Kenny Clarke and Max Roach. His crisp Latin-to-swing pace for "Tin Tin Deo" deserves notice, masterful in its creation and seamlessness. Pepper makes a typical "Star Eyes" brighter, and he goes into a lower octave tone, more like a tenor, for "Birks Works" and the bonus track "The Man I Love." It's clear he has heard his share of Stan Getz in this era. Though Art Pepper played with many a potent trio, this one inspires him to the maximum, and certainly makes for one of his most substantive recordings after his initial incarcerations, and before his second major slip into the deep abyss of drug addiction.” AllMusic Review by Michael G. Nastos

       

      Ratings :

      AllMusic : 5 / 5 , Discogs : 4,54 / 5

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