Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)
Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)
Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)
Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)
Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)
Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)
Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)
Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)

Carole King - Tapestry (2LP, Box set, 1STEP, 45 RPM, SuperVinyl)

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Average shipping time : 2 to 4 working days. Shipping is free within European Union (except for specific territories) above 99€ purchase up to 50kg. Shipping costs on quote above 50kg – quote request to be send to : No return policy for countries outside of European Union


Carole King – piano, keyboards, vocals, backing vocals [click here to see more vinyl featuring Carole King]

Curtis Amy – flute; baritone, soprano and tenor saxophone; string quartet

David Campbell – cello, viola

Merry Clayton – backing vocals

Terry King – cello, tenor saxophone, string quartet

Danny Kortchmar – acoustic guitar, conga, electric guitar, vocals

Russ Kunkel – drums

Charles "Charlie" Larkey – bass guitar, string bass, string quartet

Joni Mitchell – backing vocals

Joel O'Brien – drums

Ralph Schuckett – electric piano

Barry Socher – violin, tenor saxophone, viola, string quartet

Perry Steinberg – bass guitar, violin, tenor saxophone, string bass

James Taylor – acoustic guitar, backing vocals

Julia Tillman – backing vocals


2 LPs, box set

Limited to 10,000 copies

Original analog Master tape : YES

UD1S (UltraDisc One-Step)

Heavy Press : 180g SuperVinyl

Record color : black

Speed : 45RPM

Size : 12”



Record Press : RTI

Label : MOFI

Original Label : Ode records

Recorded January 1971 at A&M Studios by Hank Cicalo

Produced by Lou Adler

Originally released in 1971

Reissued in 2017


Side A:

  1. I Feel the Earth Move
  2. So Far Away
  3. Its Too Late

Side B:

  1. Home Again
  2. Beautiful
  3. Way Over Yonder

Side C:

  1. You've Got a Friend
  2. Where You Lead
  3. Will You Love Me Tomorrow?

Side D:

  1. Smackwater Jack
  2. Tapestry
  3. (You Make Me Feel Like) A Natural Woman



Rolling Stone 500 Greatest Albums of All Time - Rated 36/500!

1000 Recordings You Must Hear Before You Die - Ranked 212

1972 Grammy awards :

  • Album of the year
  • Best female pop performance
  • Record of the year for 'It's too late"
  • Song of the year for "You got a friend"

Tapestry was inducted in 1988 in the Grammy Hall of Fame

"You got a friend" and "It's too late" were inducted in 2002 in the Grammy Hall of Fame


Reviews :

"Carole King brought the fledgling singer/songwriter phenomenon to the masses with Tapestry, one of the most successful albums in pop music history. A remarkably expressive and intimate record, it's a work of consummate craftsmanship. Always a superior pop composer, King reaches even greater heights as a performer; new songs like the hits "It's Too Late" and "I Feel the Earth Move" rank solidly with past glories, while songs like "Will You Still Love Me Tomorrow," and "(You Make Me Feel Like) A Natural Woman" take on added resonance when delivered in her own warm, compelling voice. With its reliance on pianos and gentle drumming, Tapestry is a light and airy work on its surface, occasionally skirting the boundaries of jazz, but it's also an intensely emotional record, the songs confessional and direct; in its time it connected with listeners like few records before it, and it remains an illuminating experience decades later." AllMusic Review by Jason Ankeny


UltraDisc One-Step : Instead of utilizing the industry-standard three-step lacquer process, Mobile Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing two processes of generational loss. While three-step processing is designed for optimum yield and efficiency, UD1S is created for the ultimate in sound quality. Just as Mobile Fidelity pioneered the UHQR (Ultra High-Quality Record) with JVC in the 1980s, UD1S again represents another state-of-the-art advance in the record-manufacturing process. MFSL engineers begin with the original master tapes and meticulously cut a set of lacquers. These lacquers are used to create a very fragile, pristine UD1S stamper called a "convert." Delicate "converts" are then formed into the actual record stampers, producing a final product that literally and figuratively brings you closer to the music. By skipping the additional steps of pulling another positive and an additional negative, as done in the three-step process used in standard pressings, UD1S produces a final LP with the lowest noise floor possible today. The removal of the additional two steps of generational loss in the plating process reveals tremendous amounts of extra musical detail and dynamics, which are otherwise lost due to the standard copying process. The exclusive nature of these very limited pressings guarantees that every UD1S pressing serves as an immaculate replica of the lacquer sourced directly from the original master tape. Every conceivable aspect of vinyl production is optimized to produce the most perfect record album available today.

MoFi SuperVinyl: The World's Quietest Surfaces and Cleanest Grooves: Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever created. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.



Ratings :

AllMusic : 5 / 5 , Discogs : 4,29 / 5

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