Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)
Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)

Carole King – The Carnegie Hall Concert (2LP, Ultra Analog, Half-speed Mastering)

€199,00
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Rarity vinyl cannot be exchanged as they are sole copies of sold-out editions.
If damaged they would be refunded after return but not exchanged.
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Carole King – piano, vocals [click here to see more vinyl featuring Carole King]

James Taylor – vocals (D1-2) [click here to see more vinyl featuring James Taylor]

Danny Kortchmar – guitar

Charles Larkey – bass

David Campbell – strings (uncredited)

Written by Carole King (all tracks), Gerry Goffin (A4, B1, B3-4, C3, D2-3), Toni Stern (C2), Jerry Wexler (D3)

 

2 LP, gatefold jacket

Limited numbered edition - NUMBER 001976

Original analog Master tape : YES

Half-speed Mastering

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Live

Record Press : RTI

Label : MOFI

Original Label : Epic

Recorded on June 18, 1971 at Carnegie Hall in New York City

Engineered by Hank Cicalo

Produced by Lou Adler

Mastered by Krieg Wunderlich

Originally released in October 1996

Reissued in July 2011

 

Tracks:

Side A:

  1. I Feel The Earth Move
  2. Home Again
  3. After All This Time
  4. Child Of Mine
  5. Carry Your Load

Side B:

  1. No Easy Way Down
  2. Song Of Long Ago
  3. Snow Queen
  4. Smackwater Jack

Side C:

  1. So Far Away
  2. It's Too Late
  3. Eventually
  4. Way Over Yonder
  5. Beautiful

Side D:

  1. You've Got A Friend
  2. Will You Still Love Me Tomorrow / Some Kind Of Wonderful / Up On The Roof
  3.  (You Make Me Feel Like) A Natural Woman

     

    Reviews :

    “Carnegie Hall Concert: June 18, 1971 is 17-song set recorded just as Tapestry was topping the charts and making Carole King a superstar. Featuring most of Tapestry and a few songs from Writer and Music this is, in a sense, Carole King unplugged (although that terminology was not yet in use). King performs the first half-dozen songs alone at the piano; bassist Charles Larkey, guitarist Danny "Kootch" Kortchmar, and a string quartet back her (in varying combinations) throughout the rest of the program. Tapestry wasn't exactly a high-wattage affair to begin with, so these rearrangements aren't radical, but they're different enough from the studio versions to merit attention by serious King fans. James Taylor, then at the peak of his own popularity, joins King on vocals for a medley of some of her old Brill Building hits, "Will You Still Love Me Tomorrow"/"Some Kind of Wonderful"/"Up on the Roof."” AllMusic Review by Richie Unterberger

     

    Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.

     

    Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.

     

    Ratings :

    AllMusic : 4.5 / 5 , Discogs : 4.48 / 5

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