Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)
Jerron ''Blind Boy'' Paxton volume 2 (D2D)

Jerron ''Blind Boy'' Paxton volume 2 (D2D)

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Jerron ''Blind Boy'' Paxton - Vocals, Guitar, Fiddle, Banjo

Written by Jerron ''Blind Boy'' Paxton

 

1 LP, standard sleeve

Direct-to-Disc recording

Heavy Press : 180g

Record color : black

Speed : 33RPM

Size : 12”

Stereo

Studio

Record Press : Quality Record Pressings

Label : APO Records

Original Label : APO Records

Recorded in October 2012 at Blue Heaven Studios, Salina, Kansas

Engineered by Katsuhiko Naito

Produced by Chad Kassem

Mastered by Kevin Gray

Released in 2013

 

Tracks:

Side A :

  1. 219 Train
  2. Garbage Man
  3. Baby What's On Your Mind

 

Side B :

  1. Blue Skies
  2. My Blue Heaven
  3. Wee Midnight Hour

       

      Reviews :

      Jerron Paxton is a writer, instrumentalist, storyteller and singer in the tradition of old-time pioneering bluesmen such as Blind Lemon Jefferson and Lonnie Johnson. Yet at the time he cut these six sides for the 2012 Direct-to-Disc Sessions at Blue Heaven Studios, he was a mere 23 years old. The quick-witted, broad-smiling Paxton has an unmistakable talent and supreme skill on the fiddle, banjo, piano and guitar. His vocals are clear and unforced, and now his early work is preserved beautifully on record.

       

      Direct-to-disc (D2D) recording refers to sound recording methods that record audio directly onto analog disc masters bypassing steps as master tapes, overdubs, and mix downs from multi-tracked masters. This approach avoids problems of analog recording tape such as tape hiss (high frequency noise).

       

      Ratings:

      Discogs : 4 / 5

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