Keb’ Mo’ - Keb’ Mo’ (Ultra Analog, Half-speed Mastering)
Keb’ Mo’ - Keb’ Mo’ (Ultra Analog, Half-speed Mastering)
Keb’ Mo’ - Keb’ Mo’ (Ultra Analog, Half-speed Mastering)
Keb’ Mo’ - Keb’ Mo’ (Ultra Analog, Half-speed Mastering)

Keb’ Mo’ - Keb’ Mo’ (Ultra Analog, Half-speed Mastering)

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Keb’ Mo’, vocal, guitar, harmonica & banjo

Tommy Eyre, keyboards

James “Hutch” Hutchinson, bass

Laval Belle, drums 

Quentin Dennard, drums on “Angelina” 

Tony Draunagel, percussion on “Come On In My Kitchen”


1 LP, standard sleeve

Limited numbered edition

Original analog Master tape : YES

Half-speed Mastering

Gain 2™ Ultra Analog

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’



Record Press : RTI

Label : MOFI

Original Label : Epic

Recorded & mixed by Joe McGrath at Red Zone Studios,Burbank, CA.

Recording engineer, John Strother.

Second engineer Rich Veltrop, Penguin Recording, Los Angeles, CA.

Assisted by Rose Landaur, Devonshire

Recording Studios, N. Hollywood, CA

Produced by John Porter

Remastered by Krieg Wunderlich

Originally released in 1994

Reissued in 2011



Side A :

1. Every Morning
2. Tell Everybody I Know
3. Love Blues
4. Victims Of Comfort
5 Angelina
6. Anybody Seen My Girl

Side B :

1. She Just Wants To Dance
2. Am I Wrong
3. Come On In My Kitchen
4. Dirty, Lowdown And Bad
5. Don’t Try To Explain
6. Kindhearted Woman Blues
7. City Boy



« Keb' Mo's self-titled debut is an edgy, ambitious collection of gritty country blues. Keb' Mo' pushes into new directions, trying to incorporate some of the sensibilites of the slacker revolution without losing touch of the tradition that makes the blues the breathing, vital art form it is. His attempts aren't always successful, but his gutsy guitar playing and impassioned vocals, as well as his surprisingly accomplished songwriting, make Keb' Mo' a debut to cherish. » AllMusic Review by Thom Owens


Ultra Analog™ : The GAIN 2 Ultra Analog™ Series stems from the use of the Gain 2 system, mastered at half speed from the original master tapes where possible, capturing and uncovering as before undiscovered sonic information.


Half-speed mastering. In half-speed mastering, the whole process is slowed down to half of the original speed. A typical 33 1/3 rpm record is cut at 16 2/3 rpm. The source material is also slowed down (reducing the pitch in the process) meaning the final record will still sound normal when played back. Slowing the whole process down allows more time, which means the end result sounds better and is more efficient — allowing engineering to minimize the effects of inherent limitations within the vinyl format. The result is a more accurate and more open high-frequency response in the half speed vinyl when compared with a normal speed recording.


Ratings :

AllMusic : 4 / 5 , Discogs : 4.39 / 5

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