Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)
Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)

Art Farmer & Jim Hall - Big Blues (1LP, 33RPM, Pure Pleasure)

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€35,00
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WE USUALLY SHIP VINYL WITHIN 3 TO 5 WORKING DAYS
But due to high demand we sometines need more time

ORDER LIMITED TO ONE ITEM PER CUSTOMER

Art Farmer (flugelhorn) [click here to see vinyl featuring Art Farmer]

Jim Hall (guitar)  [click here to see more vinyl featuring Jim Hall]

Mike Mainieri (vibraphone)

Michael Moore (bass)

Steve Gadd (drums) [click here to see more vinyl featuring Steve Gadd]

Arranged by David Matthews


1 LP, gatefold sleeve

Limited edition

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 33 RPM

Size : 12'’

Stereo

Studio

Record Press : Pallas

Label : Pure Pleasure

Original Label : Columbia

Recorded at Electric Lady Studios in February 1978 by David Palmer and Joel Cohn

Produced by Creed Taylor

Remastered by Ray Staff at Air Mastering, Lyndhurst Hall, London

Originally released in 1978

Reissued in January 2010


Tracks:

Side A :

1. Whisper Not
2. A Child Is Born

Side B :

1. Big Blues
2. Pavane for A Dead Princess



Reviews
:

« Flügelhornist Art Farmer and guitarist Jim Hall had a regular group for a time in the mid-'60s but (with one exception) didn't play together again until this 1978 LP. It's an unusual effort for CTI in that it is a quintet set without added horns, strings, or keyboards. Farmer and Hall are joined by vibraphonist Mike Mainieri, bassist Michael Moore, and drummer Steve Gadd for two standards, the title cut, and a jazz adaptation of a piece by Ravel. Since Farmer and Hall have long had very complementary styles (both being lyrical, harmonically advanced, and thoughtful in their improvisations), it is little surprise that this set is a complete success. » AllMusic Review by Scott Yanow



Ratings
:

AllMusic : 4 / 5 , Discogs : 5 / 5 , 

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