Doug MacLeod - Come To Find (2LP, 45RPM)
Doug MacLeod - Come To Find (2LP, 45RPM)
Doug MacLeod - Come To Find (2LP, 45RPM)
Doug MacLeod - Come To Find (2LP, 45RPM)
Doug MacLeod - Come To Find (2LP, 45RPM)
Doug MacLeod - Come To Find (2LP, 45RPM)

Doug MacLeod - Come To Find (2LP, 45RPM)

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Doug MacLeod - guitar, vocals [click here to see more vinyl & CD featuring Doug MacLeod]

Bill Stuve - acoustic bass

Jimi Bott – drums

Charlie Musselwhite - harmonica on "Bring It On Home" and "Lost Something This Morning"

Black Cherry - back up vocals on "Ain't No Grave"

Written by Doug MacLeod (A2, B1-3, C-3, D2-3), Willie Dixon (A1), Danny Jesser (C1, D2), McKinley Morganfield (D1)


2 LP, Tip-on, thick cardboard gatefold jacket

Original analog Master tape : YES

Heavy Press : 180g

Record color : black

Speed : 45 RPM

Size : 12'’



Record Press : QRP

Label : Analogue Productions

Original Label : Audioquest Music

Recorded at Ocean Way Recording

Engineered & mixed by Dave Shiffman

Produced by Joe Harley

Remastered by Kevin Gray

Originally released in 1994

Reissued in 2020



Side A:

  1. Bring It On Home
  2. Since I Left St. Louis

Side B:

  1. Mystery Woman
  2. Come To Find
  3. Old Virginia Stomp

Side C:

  1. Master's Plan
  2. Ain't No Grave
  3. Lost Something This Morning

Side D:

  1. Rollin' & Tumblin'
  2. Any Port In A Storm
  3. When I Left Missouri



“The sparseness of the arrangements make this album admirable and draw even more attention to the music both overall and in its subtleties. It showcases brilliantly Bill Stuve's upright bass work, and for Jimi Bott, how unusually placed but effective drumbeats prove him a blues drummer deserving greater recognition. "Since I Left St. Louis" has MacLeod reflecting on his early adult years of fast life, women, and drinking, and the lessons painfully learned from those experiences. The title track is a realization that making the most out of life is better than a life of abuse, whether it be child abuse, substance abuse, or any other kind. Always a master on the harmonica, Charlie Musselwhite blows on Willie Dixon's "Bring It On Home" and the MacLeod-penned "Lost Something This Morning." A great example of Piedmont-style blues is illustrated in "Old Virginia Stomp," dedicated to mentor Ernest Banks. Backup singers Black Cherry round the album out with the uplifting gospel feel of "Ain't No Grave," which tells of the triumph of the afterlife over death.” AllMusic Review by Char Ham


Ratings :

AllMusic : 3 / 5 , Discogs : 4,61 / 5

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